Reviews

Frewaka (2024)
C
Carson LeighOctober 27, 2025
Carson LeighOctober 27, 2025"I’m Éamonn of the hill, drowned, cold and wet, from endlessly traveling mountains and glens.”
Celtic horror is amazing!!! Time to head back to Duolingo and continue my Irish lessons. It's a beautiful language.
Celtic horror is amazing!!! Time to head back to Duolingo and continue my Irish lessons. It's a beautiful language.

Good Fortune (2025)
S
Suitupsmile98October 27, 2025
Suitupsmile98October 27, 2025Incredible Movie!!
This movie had a great message and I truly enjoyed watching it. The message was deep, the humour was spot on when it needed to be, it was light hearted and not what I expected but it was really good. Anyone looking for a well balanced, great pace movie should check this out.
This movie had a great message and I truly enjoyed watching it. The message was deep, the humour was spot on when it needed to be, it was light hearted and not what I expected but it was really good. Anyone looking for a well balanced, great pace movie should check this out.

One Battle After Another (2025)
L
Lamp ReyOctober 27, 2025
Lamp ReyOctober 27, 2025I liked that Leo be vaping through this movie.

Night of the Living Dead (1968)
A
Ana María SaezOctober 27, 2025
Ana María SaezOctober 27, 2025What an incredible film to talk about. Night of the Living Dead (1968) is not just a horror movie; it’s a gut-punch of a cultural moment that still leaves a bruise today.
Honestly, the first time you see it, you’re not just watching a horror movie—you're watching the birth of the modern zombie, and the film itself has this raw, almost documentary feel that gets under your skin. It was made on a shoestring budget, and that lack of polish is exactly what makes it so terrifyingly real. There are no fancy special effects; just black-and-white grit, cheap makeup, and the sheer terror of people realizing the world they knew is simply... gone.
It's fundamentally a story about people trapped together, and this is where it gets truly human and unsettling. The zombies outside are the obvious threat, sure, but the real horror is watching the survivors inside the farmhouse turn on each other. You have Ben, played by Duane Jones (a brilliant, calm, and utterly rational lead, which was revolutionary for a Black actor at the time), trying to take charge, and then you have Harry Cooper, the hot-headed, cowardly family man who refuses to cooperate. Their constant, petty arguments—who's right, whose plan is better—feel agonizingly authentic. You realize: This is what breaks people in a crisis. Not the monsters, but the complete inability to set aside ego and just work together.
The film is relentless. It starts with the jarring, almost absurd scene in the cemetery, moves to the claustrophobic siege, and then ends with one of the most bleak, nihilistic, and truly shocking climaxes in cinema history. No happy ending, no easy escape. Just a cold, hard look at human failure.
It was more than a movie; it was a societal mirror. Released in 1968, a year full of assassinations, war, and civil unrest, this little low-budget flick showed America devouring itself.
It's not perfect. Some of the acting, particularly from Judith O'Dea as Barbra, is a bit stiff or over-the-top by modern standards—she spends most of the film in a state of catatonic shock. But honestly, even that contributes to the overall feeling of disorientation and chaos.
It's foundational, terrifying, and profoundly human. You feel every moment of desperation.
Star Rating: \star\star\star\star\star (5 out of 5 stars)
This one's an absolute, undeniable classic. It didn't just scare people; it changed the genre forever and held up a mirror to a troubled time.
Honestly, the first time you see it, you’re not just watching a horror movie—you're watching the birth of the modern zombie, and the film itself has this raw, almost documentary feel that gets under your skin. It was made on a shoestring budget, and that lack of polish is exactly what makes it so terrifyingly real. There are no fancy special effects; just black-and-white grit, cheap makeup, and the sheer terror of people realizing the world they knew is simply... gone.
It's fundamentally a story about people trapped together, and this is where it gets truly human and unsettling. The zombies outside are the obvious threat, sure, but the real horror is watching the survivors inside the farmhouse turn on each other. You have Ben, played by Duane Jones (a brilliant, calm, and utterly rational lead, which was revolutionary for a Black actor at the time), trying to take charge, and then you have Harry Cooper, the hot-headed, cowardly family man who refuses to cooperate. Their constant, petty arguments—who's right, whose plan is better—feel agonizingly authentic. You realize: This is what breaks people in a crisis. Not the monsters, but the complete inability to set aside ego and just work together.
The film is relentless. It starts with the jarring, almost absurd scene in the cemetery, moves to the claustrophobic siege, and then ends with one of the most bleak, nihilistic, and truly shocking climaxes in cinema history. No happy ending, no easy escape. Just a cold, hard look at human failure.
It was more than a movie; it was a societal mirror. Released in 1968, a year full of assassinations, war, and civil unrest, this little low-budget flick showed America devouring itself.
It's not perfect. Some of the acting, particularly from Judith O'Dea as Barbra, is a bit stiff or over-the-top by modern standards—she spends most of the film in a state of catatonic shock. But honestly, even that contributes to the overall feeling of disorientation and chaos.
It's foundational, terrifying, and profoundly human. You feel every moment of desperation.
Star Rating: \star\star\star\star\star (5 out of 5 stars)
This one's an absolute, undeniable classic. It didn't just scare people; it changed the genre forever and held up a mirror to a troubled time.

The Fourth Kind (2009)
T
Trozos de VidaOctober 27, 2025
Trozos de VidaOctober 27, 2025Esta película titulada "El Cuarto Contacto" (2009) la encuentro interesante como la primera película de 1997, porque es una mixtura de la ciencia ficción con los hechos reales, enfocados en la abducción de las personas realizada por extraños seres y que fueron recopilados por una doctora en psicología considerándose estos eventos fuentes de investigaciones presentadas en diferentes grabaciones. La investigadora se sumerge en la cruda realidad de terror que le muestran sus terapias a distintas familias, que llevaron a tener en ellas los traumas psicológicos por las abducciones de las que fueron objeto y que cobraron suma importancia debido a las desapariciones de las personas en un lugar de Alaska.
Nadie puede negar que estos eventos sobre abducción sigan siendo un misterio, para muchas personas. No obstante, es una dura realidad que llevan en su interior muchas personas que han sufrido este hecho y que evitan por el qué dirán, comentarlas al público.
Nadie puede negar que estos eventos sobre abducción sigan siendo un misterio, para muchas personas. No obstante, es una dura realidad que llevan en su interior muchas personas que han sufrido este hecho y que evitan por el qué dirán, comentarlas al público.

Apocalypse Now (1979)
A
AaaronOctober 27, 2025
AaaronOctober 27, 2025Marlon Brandon invented acting and Coppola the use of lighting

Amour (2012)
A
AaaronOctober 27, 2025
AaaronOctober 27, 2025It's a prostitution of sadness and I'll definitely join the 27 club













