Reviews

Surprisingly, this adaptation works well. While it’s darker and less comedic than the original manga, it strikes a balance between gravity and humor. The character portrayals are faithful to the manga, though the storytelling could use some improvement. I’m optimistic about the next installment.

Jejfej

Nice

I can’t believe it’s already been eight years since MOANA came out. I remember loving the music, the amazing visuals, and the great chemistry with the lead characters. Now we have MOANA 2, taking place three years after the events of the original. Moana (Auli’i Cravalho) has been searching for clues of other islands in the open sea. After finding her first clue, the ancestors point her in the direction of a sunken island cursed by an angry god named Nalo that could finally connect seafarers from across the water. With the help of a few new characters (who felt kind of useless and dumb), along with Maui of course (Dwayne Johnson’s gotta get paid again this month), they go on another adventure that feels very like their first one. I actually enjoyed this a little more than I thought I would. The animation is spectacular, easily the highlight of this movie, and apparently the first feature film done at the Walt Disney Animation Studio right here in Vancouver (yay us!). The songs are not from the genius mind of Lin-Manuel Miranda, which is a shame. They’re nowhere near as memorable as the original. The story starts off meandering. It doesn’t really kick in until the third act. The idea of MOANA 2 started off as a Disney+ TV series, until they announced that it had been reworked as a theatrical movie. I guess Disney is finally realizing that Disney+ isn’t the answer for everything. Unfortunately, I could still feel the episodic structure. This is also more kid-friendly than the original, which is…fine I guess. This is tough because I genuinely enjoyed the final act, but getting there felt like going through rough waves. I could feel the “sequelitis”, a sickness movie executives go through that requires them to shoot off a similar story but make it feel like a cash grab. Speaking of money, MOANA 2 has already broken box office records, making boatloads of money. I enjoy how Moana isn’t concerned about finding love, she’s just focused on connecting humanity together, which I can vibe with. There is a very important mid-credits scene that honestly should’ve been in the actual movie. I’m not sure if another installment is necessary, but I still think this should be seen on the big screen. Am I getting more critical with my critiques? Yes, I believe I am.

Amazing movie and beautiful story. Movie available on YouTube and Vimeo Also. I recommend this movie for watching.

good

is a charming and thought-provoking animated film from Pixar. Set in a future where Earth is abandoned and overrun with trash, the story follows WALL·E, a lonely waste-collecting robot, who embarks on an intergalactic adventure after discovering a plant. The film blends heartwarming moments with powerful environmental messages, showcasing the importance of caring for our planet and human connection. With stunning visuals and minimal dialogue, WALL·E delivers a poignant story that resonates with audiences of all ages.

123

The women in that family are impressive, but the bald woman with cancer stands out for her remarkable dignity.

No matter how capable or intelligent you think you are, you still need the support and companionship of your family. No matter how far you go, you'll always find that home is the best place.

This movie is a mix of glam rock and crime, and an intense portrayal of anarchism and violence. Honestly, it's hard to believe Oliver Stone directed it. It only made sense when I realized that Quentin Tarantino wrote the screenplay. While the indiscriminate killing shown is immoral, the visuals and soundtrack are still very well made.

It’s often said that Almodóvar is a homosexual, and some even claim this movie is autobiographical. I can’t help but wonder how he could handle all that despair when he made such an emotionally wrecking movie.

This is a modern fairy tale for otakus. The movie captures the ultimate beauty of light and shadow. If a film can be visually beautiful, emotional, and unforgettable without relying on a strong narrative, this one proves it. Honestly, the French aesthetics is infused in every shot, and each frame is visually striking, charming, and unique.

Ken Loach is still the same Ken, always focusing his lens on the struggles of the British working class. His films are direct, genuine, and powerful. They continue to shine a light on the tough lives of workers and their families. He’s got this way of showing the oppression of the labor class, the flaws of capitalism, and the failures of the social security system. In one powerful scene, when the daughter confesses, the family of three breaks down in tears. It’s an emotional moment that moves the audience, and many, including myself, couldn’t help but cry. At over 80 years old, Ken Loach should continue making films. He is the conscience of Britain.

"Horton y el mundo de los Quién" es una película animada muy entretenida y con un mensaje profundo. La historia de Horton, un elefante gigante que protege a un grupo de pequeños seres llamados los Quién, es conmovedora y divertida al mismo tiempo.
La película tiene un reparto estelar, incluyendo a Jim Carrey como la voz de Horton y a Steve Carell como la voz del Alcalde de Quiénville. La animación es impresionante y los personajes están muy bien desarrollados.
La película trata temas como la amistad, la lealtad y la importancia de proteger a los demás. También aborda la idea de que incluso los más pequeños pueden hacer una gran diferencia.
En general, "Horton y el mundo de los Quién" es una película que puede disfrutar toda la familia. Es una historia conmovedora y divertida que te hace reír y reflexionar al mismo tiempo.

Good

With its intertwining storylines, clever structure, sharp editing, and everything coming together in the end, it is a classic Guy Ritchie British gangster comedy. The humor and soundtrack even outshine his earlier masterpiece, Lock, Stock and Two Smoking Barrels.

Super