Reviews

The fact that this movie aims to kickstart a trilogy is baffling. While the premise has potential, the plot is juvenile and lacks coherence, resembling the kind of stories kids might concoct in their imaginations. Ultimately, only the visual effects and action sequences manage to leave a somewhat positive impression.

This show is absolutely amazing, the storytelling is awesome, the animation very animative and the voice acting very incredible, 10/10

oh wait I thought we were talking about Inanimate Insanity

Robbie Williams is a pop superstar, mainly in the U.K. BETTER MAN is a musically enhanced “autobiopic” of his life; his meteoric rise in fame at 15 years old to his personal struggles with family, addiction, and depression. I bet you’re thinking that this sounds like every other musical biopic you’ve ever seen. Trust me, this one is different. Narrated and sung by Robbie himself, he takes us on a journey of a man who’s trying to fill a hole in his heart. Director Michael Gracy (who also did THE GREATEST SHOWMAN) injects this movie with emotion, energy, pizzazz, glitz and glamour. He’s also not afraid of showing all sides of the protagonist. Robbie thinks of himself as less evolved than others, partly due to becoming famous at such a young age. This movie has a lot of things you’ve seen in other musician’s biopics, but they’re all done in such a creatively visual and unique way. For example, the way Robbie fights his personal demons is something that will be hard to forget. Also, the perfect way it portrays fame. It has amazing songs with a few musical numbers that really stand out. This is just fantastically fantastical. What I wouldn’t give to have been in the room when they pitched this movie! Requiring a big screen and bigger sound, BETTER MAN is my favourite movie of the year and severely raises the bar for future biopics. It’s crazy how I had never even heard of Robbie Williams before this, and now I’m even thinking about if this could nab some award nominations.

The shallow depth of field throughout the film effectively highlights the protagonist's emotional journey. While an implied assault seems to trigger her departure from the party and estrangement from her friends, the root cause lies in her confusion about the present and uncertainty about the future. The ending, paired with the closing song's message, "You don't have to be so strong," beautifully encapsulates the film's overarching theme.

Harris Dickinson exudes undeniable charm in his role. The explicit scenes are charged with passion, yet the male lead’s character lacks depth, existing merely as a tool for the protagonist's story. Beneath the surface, she wields the true power, maintaining control even in her moments of perceived submission, while he remains a mere pawn in her narrative.

The biggest flaw lies in the lack of authenticity in portraying survival. The protagonists’ calm demeanor and rudimentary methods make their ordeal feel like a brief inconvenience rather than weeks of hardship, wasting the incredible efforts of the production team.

Based on a true story, this biographical film chronicles ballet master Joika’s journey with raw intensity. Talia Ryder’s performance is both authentic and captivating, channeling Joika’s passion and borderline obsession. The movie illustrates how success often stems from an almost fanatical commitment, prompting reflection on whether such sacrifices are truly worth it.

The protagonist's inexplicable invincibility—surviving gunshots in the woods, for instance—dilutes the suspense. This inexplicable strength undermines the horror, raising questions like: what makes the ghost frightening, or where’s the thrill in their conflict? The absurdity of bullets scaring ghosts only adds to the film's unintentional humor.

No matter how many times I watch it, the ingenious humor always gets me. The show’s brilliance lies not in its technical achievements but in its philosophy—a seemingly lighthearted yet profound perspective on life, delivering wisdom without preachiness in the simplest, most accessible way.

A compelling adventure film about man versus nature, "Beast" explores themes of determination and courage amidst adversity. The gripping narrative and well-defined characters make for an engaging portrayal of humanity’s resilience and the trails of survival.

Despite knowing his childhood trauma with Bagman, the protagonist inexplicably decides to move back home with his family. As the danger escalates, their hesitation to flee defies all logic, leading to inevitable tragedy. The director’s inexperience with horror is evident, resulting in a formulaic plot with minimal scares, despite the potential of the folk horror setting.

The overall experience is thrilling, with surprises that keep you on edge. From the Meg’s sudden appearances to Meiying’s bravery, the film balances tension and emotion. Jing Wu’s comedic moments provide relief, while heartfelt sequences underscore its humanity.

Watching "The Lion King" as a child, I was captivated by Mufasa, and revisiting his prequel now as an adult brought back that sense of awe. The film encompasses universal themes like love, friendship, gratitude for nature, forgiveness, courage, and familial bonds, reminding us why these timeless emotions continue to resonate across generations.

The charm of the first film is lost here. While the characters are now adults, their childish, tit-for-tat revenge tactics feel tiresome. The poorly executed racing scenes, with cars sluggishly moving in staged sequences, fail to inject any excitement into the story.

The film’s shadowy aesthetic, stark contrasts, and haunting lighting create a foreboding atmosphere reminiscent of Eggers’ earlier works. Nicholas Hoult’s performance stands out, anchoring the story with his mesmerizing intensity. The music is exceptional, and the film’s fidelity to the 1922 version is evident, making it a worthy homage.

The film’s biggest flaw is its failure to explore the symbiotic relationship between Bob Dylan’s music and the era it defined. Instead, the historical context is reduced to a mere backdrop. That said, the movie does an excellent job showcasing Dylan’s music and succeeds in telling a story through his songs.

The CGI monkey idea works much better than anyone could have imagined. It's very easy to empathize with this interpretation of a highly insecure artist who, with a human appearance, would be impossible to connect with because of Williams' personality.
It is hard to understand how Michael Gracey hasn’t directed any other film since The Greatest Showman. He's obviously capable of more, just needs to find a more original and personal story.

The film crafts a striking visual style, blending vibrant tones with the tension of a relentless chase. Though the cast isn’t star-studded, the budget is well spent on visual effects and creature design. The alien beasts are more than props; their fight scenes feel tangible and thrilling, enhancing the movie’s appeal.

This is the quintessential high school rom-com I wanted to see. While formulaic, the original outshines the remake in every way. The characters feel more fleshed out, the plot progression makes sense, and the details show genuine care. Even the production design surpasses its modern counterpart, proving its timeless appeal.