Reviews

The plot revolves around a hitman diagnosed with Alzheimer’s who devises an intricate plan to take the fall for his impulsive son’s crime. As his memory deteriorates, he relies on notes to carry out his plan before forgetting it entirely. While the pacing feels uneven and the narrative fragmented, Al Pacino and Michael Keaton deliver stellar performances.

A precursor to the NFB funded "streaks in the mirror" tells the tale in avant garde fashion in the vein of Maya deren films where the film maker experiences are the film.
The film maker embarks on a journey through the use of narcotic drugs (none were actually used) and experiences hallucinations which prompt the viewer to experience along with him.
Shot with a 3ccd camera, bought with a paycheque from working as a production assistant to John Woo.
"The film did well in Abel Ferreras festival in NYC, in an interview he gave before the screening he mentioned this film(ascension) and " the rapture" and challenged other film makers to decide if they were really films at all before awarding them and sendung "ascension" to Cannes short film corner in 2006,a huge surprise to me. "- toly a.k.

I stumbled upon this Netflix production by chance, and it was a pleasant surprise. The first third is dedicated to establishing the backstory, which feels a bit long but necessary. Once past the setup, the narrative improves, delivering solid action scenes and heartfelt moments of camaraderie and love. The ending even provides a satisfying callback.

The WALLACE&GROMIT franchise has been around since before I was born. Because of their first film A GRAND DAY OUT, I distinctly remember believing that the moon was actually made of cheese. Don’t worry, I still do. These movies have always been charming, and I can’t believe it’s been almost 20 years, but we finally have a new installment out now on Netflix, WALLACE&GROMIT: VENGEANCE MOST FOWL. Avid inventor Wallace has created Norbot, a robot gnome programmed to help the ever-so-silent Gromit out in his garden. Things obviously go awry and an enemy from their past seeks vengeance, most fowl. I was smiling the entire 72 minutes. I have always loved Claymation; The act of handmaking clay figures and painstakingly moving them bit by bit to make them come alive on film. It sort of reminds me of the golden age of Disney animation where they hand-drew. I miss those days. Watching this movie felt like no time had passed. I’m impressed with Ben Whitehead, who has taken over voicing Wallace since Peter Sallis passed away. He sounds the exact same! While not exactly a sequel to THE WRONG TROUSERS, I highly recommend watching both in succession. VENGEANCE MOST FOWL has the charm, the humour, and now an Oscar nomination for Best Animated Film. Have fun!

What a great experience

Ok

The pacing feels uneven, with overly long dialogues that could have been trimmed. The judge’s diminished role during the wedding ceremony was disappointing. Yet, Italy’s beauty shines throughout, and the bridal dress fitting scenes are enchanting. The ending, unexpectedly poignant, may bring tears to your eyes. A third installment would benefit from a tighter script.

Ed halter from NYC underground film festival compared the film lil star duster by saying, " if Kenneth anger had directed a western it would look like this film". Film core awarded the film makers with a film core grant of 800$ usd... A gift from an age transgression cinema lovers from the early 90s. ..they continued by making the film "Monolethea" in black rock desert where they continued the theme of internal sensations and the desert of the mind, joy and jubilation of youth in moments of independence and freedom." The trick was keeping the film at the right temperature-something people working in video do not have to worry much about nowadays. It reached 110 degrees of heat in the desert,"

Mike disalvo's wife Gen guay DiSalvo appears in Monolethea(rip-who passed away from cancer) Mike was in the middle of touring with Montreals cryptopsy, while opening for slayer across US, he had his hand in some on set recordings in black rock desert and the like.

Link to Monolethea:

https://youtu.be/BcCOUyo7P0g?si=ij4ANqB5xRJXs4uc

Link to a film made with Nicholas Syracuse
"twilight road"

https://youtu.be/-KM5KDVPe-U?si=M46alxOCrh3Ond8Y

While living in the ramparts of Vancouver's downtown main and Hastings , I wrote "Goin ape" a live action feature inspired by Richard Kern and Greg Araki films, it originally began with a cartoon and went on from there, upon my return to Montreal I was funded by main film and calq and filmed Gen Guay and Mike DiSalvo in the lead roles. " Goin ape"1& 2 are distributed through Darkside releasing as well as "the horror" a horror film I made in keeping in the tradition of avante garde film makers and tip of the hat to university Concordia's curriculum viewing.

Link to "Split Reel" original opening of Goin ape:

https://youtu.be/01lk0vYhR-0?si=xiNShXPq41dc_8Tq

You can see some of my film work on YouTube:

https://youtube.com/@apostolypeterkouroumalis2267?feature=shared

I'm now in a band called ZMOG in Montreal Canada, making films still and writing books like "all purpose" & "purpose filter"- and painting a lot.

Comedies have become more of a rarity these days. When I first saw the trailer for ONE OF THEM DAYS, I thought it might not be aimed at me. Curiosity got the better of me, I gave it a chance. I’m happy I did. It follows two best friends Dreux (Keke Palmer) and Alyssa (SZA) who are forced to come up with their rent money by the end of the day because Alyssa gave it to her leech of a f***boy Keshawn (Joshua Neal). Things get more complicated when their hunt takes them all around their neighborhood. This was a very fun movie. Not all of the jokes landed with me, but a good majority of them did. There are two things that make this movie worth seeing. The chemistry and comedic timing between Palmer and SZA were palpable. I believed they were best friends, no matter what mistakes they made (there were a lot). The second thing was the side characters. Most of them were hilarious, all of them felt relatable and surprisingly fleshed out. Detailing them would go into spoiler territory, and I don’t go there. Buddy comedies are always good if the heart of it is the relationship between the two protagonists. I find it hard to believe this is SZA’s first acting gig. Go see this movie, at least ONE OF THEM DAYS.

This sequel lives up to its hype. In an era dominated by modern filmmaking styles, it's refreshing to see a film rooted in old-school storytelling. The protagonist, now weathered by three long decades, remains the fearless youth he once was. With its themes of chasing dreams and self-reconciliation, "Top Gun: Maverick" serves as a nostalgic, historically significant gift to those who grew up in the '70s and '80s, rekindling the excitement of 1986.

The cinematography and score evoke the golden age of Hollywood, reminiscent of a Hitchcock classic. While divisive among viewers, the meticulous craftsmanship and precise direction make this a benchmark for its genre, elevating an already gripping script.

McCarthy’s charm and wit carry half the comedy. Initially, she seems like a bumbling novice, but as the story unfolds, her sharp instincts and cleverness shine, transforming her into an unexpectedly brilliant spy.

"En busca de la felicidad" teniendo claro que es una película biográfica estadounidense de 2006 dirigida por Gabriele Muccino. La película está basada en la vida de Chris Gardner, un vendedor de médicales que lucha por criar a su hijo y construir un futuro mejor para ellos.

La película cuenta con actuaciones destacadas de famosos como Will Smith y su hijo Jaden Smith, quien interpreta al hijo de Chris. La película también cuenta con la actuación de Thandie Newton como la esposa de Chris.

La crítica a la película es en general positiva, destacando la actuación de Will Smith y la dirección de Gabriele Muccino. La película fue nominada a varios premios, incluyendo dos premios Óscar.

Algunos de los aspectos destacados de la película son:

- La actuación de Will Smith, que es considerada una de las mejores de su carrera por el sentimiento que transmite al interpretar a un padre que se encuentra tratando de sobrevivir al sistema sin perder la fuerza por alcanzar el tan anhelado éxito que muchos buscamos por lo que la audiencia en general empatiza de sierra manera con este clásico cinematográfico puesto a que muchas familias se identifican Cón situación que vive nuestro protagonista además de estar basada en echos reales
- La relación entre Chris y su hijo, que es el corazón de la película y es muy conmovedora.

Sin embargo, también hay algunos aspectos que pueden ser criticados, como:

- La película puede ser un poco predecible en algunos momentos, ya que sigue un patrón de "triunfo sobre la adversidad" que es común en películas biográficas.
- Algunos críticos han argumentado que la película simplifica demasiado la vida de Chris Gardner y no aborda algunos de los temas más complejos que enfrentó.

En general, "En busca de la felicidad" es una película conmovedora y inspiradora que destaca la importancia de la perseverancia y la determinación en la búsqueda de la felicidad.

Beneath its Egyptian cultural veneer lies a formulaic story. From the aspiring musician princess to the disgraced charioteer, their inevitable romance unfolds with few surprises. The plot’s reliance on clichés limits its potential.

Although the film's intensity lets up at certain times, its clever use of props and escalating challenges makes up for some of its shortcomings. The plot is too thin to sustain its runtime, relying heavily on repetitive flashbacks. Yet, the sisters’ personal growth—one breaking her physical limits, the other overcoming psychological fears—lends the film an unexpectedly touching conclusion.

It is one of those gems that, because of its rare beauty and particularity, does not go unnoticed. It is a luxurious cinematic work and an extraordinary analysis of the threats posed by artificial intelligence.

https://www.peliplat.com/en/article/10040618/it-is-a-masterpiece-of-science-fiction-and-also-one-of-the-best-films-of-the-year

While it initially appears to promise a sweet and whimsical tale, the film unfolds as a surreal exploration of tomb raiding. This is not an easily digestible experience without prior context, as it demands substantial external interpretation. Techniques like jump cuts, variable frame rates, aspect ratio shifts, chanting, opera, and sculpture are not merely reflective of the historical setting but represent a seamless fusion of art forms, well-executed without being jarring.

The show’s heavy-handed approach to mystery-building undermines its potential. While it piles on twists and surprises, the result is chaotic rather than compelling. The excessive plot twists, instead of heightening intrigue, make the story feel absurd.

Each character leaves a strong impression, from the werewolf’s ferocity to the vampire’s elegance and Frankenstein’s clumsiness. The mix of high-octane action and humor ensures a thrilling yet entertaining ride, balancing tension with levity.