Reviews

Watching this film, I couldn't help but question whether it even needed to exist. Its philosophical discourse is riddled with issues. The only era truly suited for dialogue-driven films like this would be the time of Socrates and Plato, when philosophical debates naturally unfolded in the streets. Rather than crafting a film, the director seems to be imitating a version of history that exists only in his mind.

The protagonist’s silence, vacant gazes, and emotional breakdowns prompt reflection: what has driven her to this existential crisis? While illness might offer a plausible explanation, the existential dread she faces is universal, with each individual grappling with their own challenges and seeking their own paths forward.

The film’s disjointed timeline and overlapping dreams create a surreal blend of reality and illusion. The omission of key events invites viewers to interpret the story in their own way. For instance, the seaside encounter after the breakup could be a dream or a real event, leaving the audience to fill in the blanks.

The film explores the blurred lines between reality and the increasingly immersive gaming experience, with Cronenberg’s unique aesthetic lending an unsettling edge. The game’s bizarre premise—requiring players to pierce their bodies and use biological devices—adds a visceral layer of discomfort. These elements, more than the plot itself, stand out for their originality and grotesque creativity.

The apartment complex serves as a microcosm of French society, touching on immigration, gender, and political issues. The film’s dry French humor is evident in moments like Mederic’s visit to a neighbor’s home, where the sudden cut to a table filled with weapons and his subsequent stunned expression deliver a comedic punch.

The film’s strengths lie in its director’s mastery of audio-visual effects and the dynamic portrayal of the monster. The multi-angled perspectives—whether from beneath, through door cracks, or even a breathing mask—ensure a fresh and engaging experience. The juxtaposition of humanity’s insignificance against the sheer power of the monster, coupled with the desolation of war-torn landscapes, is hauntingly vivid.

A light-hearted comedy that's both engaging and funny. Each character is uniquely defined, authentic, and amusing. The show offers a glimpse into the myriad of stories that can unfold in a public school setting.

The film's social message outweighs its storytelling. The closing statistics about domestic violence in Germany are sobering, but the plot is riddled with inconsistencies. Unrealistic scenarios, such as hotline workers having excessive surveillance capabilities, undermine the gravity of the subject matter.

A solidly executed inspirational tale, the film’s title encapsulates not only the protagonist’s physical challenges but also his fight to protect his mother. Yet, a deeper exploration of the characters, particularly the mother, would have added more emotional weight.

The film’s vibe is complemented by the stunning performances of its lead actresses. It tells the story of two best friends racing against time to scrape together rent money. It’s humorous yet insightful, offering a glimpse into the daily struggles of Black communities. The carefree, live-in-the-moment attitude of the characters mirrors the outlook of many young people today.

In this fun and clever sequel, a resourceful young boy outsmarts four professional criminals. Despite their slow reactions and a near-miss where Alex almost gets caught, the film is filled with comedic moments that are sure to leave viewers laughing.

The casual portrayal of infidelity—where lovers swap partners without guilt or remorse—felt unsettling. While the film’s depiction of love and emotions is undeniably beautiful, its nonchalant approach to morality left me uncomfortable, making it difficult to connect with the story.

Colin Farrell, Brendan Gleeson, and Ralph Fiennes deliver outstanding performances, portraying the moral dilemmas and emotional struggles of their hitman characters with depth and nuance. The climactic leap from the tower is profoundly moving, and the script’s sharp wit and social critique elevate this debut feature into a masterful dark comedy.

The characters are brilliantly crafted, each with distinct personalities and quirks. Their interactions and conflicts add layers of drama and humor. The eccentric psychopaths, with their bizarre thoughts and actions, inject the film with a surreal blend of absurdity and dark comedy.

The film expands its setting to Hollywood, weaving the plot around a new spree by the Ghostface killer. The protagonists face peril and intrigue amid the glitzy backdrop. While some twists are predictable, the suspenseful atmosphere is well-crafted, and the movie effectively balances classic franchise elements with fresh ideas. It’s an engaging addition to the series.

Considering it was made in 2002, the special effects are a bit rough. However, the film’s imaginative world-building and attention to detail compensate for this flaw. Compared to the first installment, the added fight scenes and larger-scale set pieces elevate the film, delivering a satisfying conclusion where the hero triumphs and the villain gets their just deserts.

The pacing is painfully slow, and the action feels disconnected from the story. The editing lacks discernment, with too much time wasted on drawn-out transitions and repetitive sequences. The climactic car chase drags on for over ten minutes. Just as you’re anticipating a close-quarters fight, the antagonist is defeated with a single kick from the female lead, cutting the tension abruptly. That said, Jeremy Renner shines in his brief action scenes, executing them with precision and finesse. Unfortunately, they’re so fleeting that watching the trailer might suffice.

if you've been wanting a 100 minute long I Think You Should Leave sketch, look no further

essential viewing

good brendan mcdonnell 12 feb 2025 g.n.evans