Reviews

I went in expecting a suspense-driven mystery, but it turned out to be about domestic abuse, which was a surprising shift. I appreciate the message, but if the film aims to be a serious social commentary, it needs to go deeper into the character psychology. The early focus on romance and sisterhood drama felt unnecessary for the theme.

Lowering your expectations might actually help with this one. While the action scenes aren’t especially convincing and the violence is often sanitized, the film still delivers a few surprises, especially in its refusal to grant an easy victory. The hostages the heroine fights so hard to save? All dead. It’s a grim, oddly refreshing twist that resists convention.

At the heart of the film is the bond between Kathryn and Owen. Their relationship captures both the yearning for connection and the fear of vulnerability. Kathryn embodies guarded solitude, while Owen reflects the ache of being unseen. Their journey becomes less about romance and more about the courage to face their own emotional truths.

Parece uma propaganda de grande orçamento para um parque temático da Disney — e nem sequer uma propaganda excelente. Talvez, na tentativa de atrair o público infantil, o enredo acabe sendo simples e superficial demais, especialmente o final, que é apenas um resumo caótico e apressado.

The pacing drags despite the flashy editing and nonstop techno beats. At over two hours, it’s simply too long for a thriller, and despite the flashy visuals, it lacks real impact. It’s loud, fast, and strangely dull.

What makes the film work so well is its lead. Jessica Rothe plays Tree with wit and intelligence, never once slipping into horror-movie idiocy. Faced with a time-loop of her own murder, she becomes proactive—plotting, experimenting, even sacrificing herself to protect others. A slasher film with a brain and a heart.

The film jumps into high gear right away, which makes it hard to keep track of who’s who unless you’re paying close attention. It only starts to click by the end. It'd have been better with clearer logic and character setups.

The real phantom menace we failed to see: the possibility of opening up the SW canon.

As a person, a brilliant director.

One of the few films that meets these two conditions: Bruce Willis must be in it and it must still be good.

Is it a film set or a mental asylum? We'll never know.

Supar

What could’ve been an engaging stage play collapses into a formulaic film. While the script has its moments and a few decent lines, weak cinematography and a visibly low budget hold it back.

The film excels in its intimate details. It portrays a same-sex relationship with such normalcy that some moments—dialogues, glances, silences—might go unnoticed by heterosexual viewers but ring true for queer audiences. Its power lies in how real it all feels.

The film sensitively and effectively reminds us that adults shouldn't apply their logic to children's thinking. While some plot twists feel abrupt and several threads are left hanging, the emotional depth—especially in how it explores the kids' bond—is genuinely touching.

At just 90 minutes, the film wastes no time with subplots. Five minutes in, it plunges into a tight, focused naval battle that plays like a shepherd dog guarding against a wolf pack. While the plot is straightforward, the execution is solid and suspenseful.

The plot is formulaic and the concept isn’t particularly fresh. Characters are underwritten, and the plot twists aren’t integrated well—they do little to clarify or elevate the story. It's a forgettable watch.

The story feels like it’s more suited for a slightly older audience than its primary targets. The early scenes drag a bit and lack a strong hook, but once the forest queen appears, the plot quickly thickens and becomes far more engaging.

The premise is clever and the setup gripping, but as the story unfolds, things start to fall apart. Up until the protagonist begins leaping around the rooftop, it remains somewhat plausible. But once the mystery is unraveled, the scope of the crime feels disappointingly small. It’s a film that builds suspense only to overplay its hand.