Reviews

It didn’t quite live up to my expectations, but it’s still watchable. The conflicts between religion, family, and self are handled fairly well, and some details show careful attention. However, the romance subplot feels a bit rushed. The cast is easy on the eyes, but the story is undeniably cliché.

Even though it wraps up with a happy ending, the road there is so winding that it brought me to tears. For an LGBTQ+ film, it’s rare to see such a fully satisfying conclusion.

This campus horror-comedy delivers a surprisingly authentic portrayal of witchcraft. The teenage conflicts among the four female protagonists are both over-the-top and relatable, striking a perfect balance. By exploring the pursuit and control of power and desire during adolescence, the film carries a sharp cautionary undertone. Its grounded style sets it apart from many other high-school dramas.

The first half delivers a fun, magical vibe with grounded characters and that sharp ʼ90s humor we all remember. Unfortunately, once the plot twists into darker territory midway, the film loses its original cleverness. That said, it works reasonably well purely as a horror piece.

Alfred Hitchcock basically swapped in a new cast of German actors and recreated the script and cinematography shot-for-shot. So why not just dub the English version instead? If you’ve seen the English version, there’s really no need to watch this one.

This is Alfred Hitchcock’s self-remake of Murder! in German. The director made some slight adjustments, with the most notable change being the murderer’s secret. But honestly, after watching both, the original English version of Murder! is enough.

There’s no clear focus—just a collection of old footage. That year, both the band and their fans were still just kids. The way fans chased their idols in the ’60s isn’t all that different from how they do it today.

Part fan footage, part Beatles documentary, this film goes beyond telling the story of four young men in 1964—it’s a powerful journey celebrating music itself. The stories of their fans are truly moving; even as time goes by, the music keeps them forever young.

Compared to the low-budget sets of the first film, this sequel incorporates extensive 3D CGI backgrounds, significantly improving the overall quality. It maintains the original’s straightforward, gritty style, but most of the supporting characters are reduced to stepping stones for Vin Diesel’s ascent—no one is spared, not even the little girl or the bishop who survived the first movie.

This movie is tailor-made for Vin Diesel to look cool. As long as he nails that, the film has achieved its goal.

No flashy special effects, no forced drama, but the deliberate use of exaggeration and film grain manage to capture the true essence of animation. Just a few simple lines, a touching melody, and a straightforward story were enough to sweep me away. I was completely captivated.

This is a truly unique animated film. The character designs are far from polished—exaggerated and strange, possibly the “ugliest” animation I’ve ever seen. Yet, it moved me in an unexpected way.

A devoted man is often not brave enough; responsibility becomes an easy excuse to avoid things, and love ends up sounding like a nicer word for desire. On the other hand, women worldwide might be willing to give up everything for the male lead in this movie—if only they understood Korean.

Many naive young people think sex is all about love, while the less naive believe it’s only about desire. But after 30, you might come to see that sex is really just about loneliness.

It feels fresh at first glance, but it’s essentially a variation of films like The Omen or Orphan. It gives up suspense early by revealing the mystery right from the start, focusing on delivering thrills. The audience is fully aware of the child’s sinister nature while the parents remain oblivious, heightening the unease every time the seemingly innocent kid appears. The film truly excels at building a chilling atmosphere.

This young actor’s talent is truly remarkable. I can’t wait to see how he evolves as he grows up. His gaze alone is enough to convince you he’s a serial killer. The film’s sense of horror owes much of its power to his chilling performance.

Usually, one would be left disappointed with the film after reading the original book, but this movie stands strong on its own despite cutting a chunk of the plot. It transitions smoothly between being bittersweet and heartfelt, effortlessly making the audience laugh and cry within two hours. Coupled with the flawless performances of the two leads, I have no hesitation in giving it a perfect 10.

This is probably one of the best films with an LGBTQ+ theme. The casting is exceptional, with actors chosen based on their acting chops rather than appearances. While the characters stand firm against societal pressures, the challenge of remaining faithful to their relationships adds a layer of realism. This struggle isn’t exclusive to same-sex relationships; it resonates just as deeply with heterosexual ones.

The director’s ambition is clear, but the fragmented handling of multiple storylines feels underdeveloped. Rather than weaving a complex web of emotional resonance, it comes across as a scattered, disjointed distraction.

The plot is a mess, with every character hiding secrets. What makes it worse is how it mixes teenage sexual exploration with religious fervor. Not even the appeal of youthful bodies can save this drama. After watching it, all I wanted was some peace and quiet.