#The Dissidents Critique
Masculinity and Nostalgia of The Bikeriders
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THE DISSIDENTSAugust 5, 2024
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A Profitable Memorial: The Multiverse Concept in the Deadpool Movies
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THE DISSIDENTSAugust 2, 2024
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Mulholland Dr.：The Mysterious Forest
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THE DISSIDENTSJuly 18, 2024
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The Return to origins of Superhero Films and the Children Refuse to Grow Up
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THE DISSIDENTSJuly 18, 2024
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The Split of the Villain(s)
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THE DISSIDENTSJuly 1, 2024
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Hit Man: Crossing the Outer Boundaries of Film
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THE DISSIDENTSJuly 1, 2024
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Organizing a Family is Far More Precious Than Creation at a corner of the World ——A Comparative Critique of the Mad Max
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THE DISSIDENTSJune 28, 2024
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Éloge de l’Amour: A Cinematic Meditation
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THE DISSIDENTSJune 28, 2024
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The Personification and Characterization in Inside Out Series
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THE DISSIDENTSJune 21, 2024
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Film and the Body——The Disintegration of the Soulmate Imagination
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THE DISSIDENTSJune 4, 2024
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On the Figure of Lights: on the works of Omnes Films
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THE DISSIDENTSJune 4, 2024
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The Mystical Nightscape of Payal Kapadia
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THE DISSIDENTSJune 4, 2024
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It’s Not Me: An Autobiography for a Person Who is “Not Me”
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THE DISSIDENTSMay 31, 2024
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Miséricorde: Guiraudie's Delicate Dance of Desire
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THE DISSIDENTSMay 27, 2024
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The Contradiction in The Substance: The Invalidation of Extremism
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THE DISSIDENTSMay 27, 2024
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Animal Representation in Cinema
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THE DISSIDENTSMay 27, 2024
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The Use of Rotoscoping in Ghost Cat Anzu
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THE DISSIDENTSMay 27, 2024
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The Simlarities and Different: On Jonás Trueba's Volveréis
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THE DISSIDENTSMay 26, 2024
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Rescue the real action
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THE DISSIDENTSMay 21, 2024
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Two Ways Science Fiction Films Portray the Human Body
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THE DISSIDENTSApril 26, 2024
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