#The Dissidents Critique
THE WORLD OF EL PAMPERO CINE (3): Artists Work
T
THE DISSIDENTSMarch 31, 2024
0
Dune：Villeneuve's real estate ads can be put to rest!
T
THE DISSIDENTSMarch 22, 2024
0
THE WORLD OF EL PAMPERO CINE (2): Spies and Specimens
T
THE DISSIDENTSMarch 18, 2024
0
Poor Things and its formal hypocrisy
T
THE DISSIDENTSMarch 11, 2024
0
Isabelle Huppert in a Foreign Country, for the Third Time
T
THE DISSIDENTSMarch 1, 2024
0
THE WORLD OF EL PAMPERO CINE (1): The Landscape of a Book
T
THE DISSIDENTSFebruary 28, 2024
0
A real feminist film that deconstructed seriousness——Barbie and the missed Oscar nomination
T
THE DISSIDENTSFebruary 23, 2024
0
The Zone of Interest is still an artistic consumption of the Holocaust
T
THE DISSIDENTSFebruary 3, 2024
0
Justine Triet: The Female Palme d'Or Winner's Dialectics between Fiction and Truth
T
THE DISSIDENTSDecember 26, 2023
1
BanG Dream! It's MyGO!!!!! ：Discover Myself, Express Myself, and Take a Step Forward
T
THE DISSIDENTSDecember 10, 2023
0
The Killer : Why David Fincher's Professionalism isn’t appealing in Hollywood Anymore
T
THE DISSIDENTSNovember 17, 2023
0
The Delinquents: Argentinian Filmmakers Crafting Fiction in a World of Inflation
T
THE DISSIDENTSNovember 3, 2023
0
Knock at the Cabin: The Fictional Fire of Sincerity
T
THE DISSIDENTSOctober 30, 2023
0
MMXX: Perceptual Fracture under Teleology of Social Issues
T
THE DISSIDENTSOctober 10, 2023
0
Spellbound: Psychoanalysis as a Magic Trick
T
THE DISSIDENTSSeptember 27, 2023
0