Reviews

A breezy, well-paced workplace comedy that lands its laughs with precision. The setup alternates between small, clever jokes and bigger comedic payoffs, creating a rhythm that feels natural and rewarding. While a few gags seem rather forced, many are genuinely hilarious, delivering several laugh-out-loud moments.

A cult classic dripping with outrageous wit and biting social satire, capturing the spirit of its era. The story of a middle-class couple who kill for money unfolds with bizarrely playful energy, with the frying pan becoming an unlikely emblem of both absurdity and subversion. Its strange character dynamics make it delightfully unpredictable.

An absurd black comedy delivered with a deliberately deadpan touch. By staging its murders with comical bluntness—often resolved with nothing more than a frying pan blow—the film turns potentially gruesome violence into gleeful farce. Despite its low budget, it’s unexpectedly effective, proving how simplicity can heighten satire.

Beyond the horror, what resonates most is the creature’s aching loneliness. His descent beneath the icy waters in the final moments is hauntingly symbolic—his existence defined by isolation until death finally reunites him with his creator. It’s a quiet, devastating close to an otherwise uneven adaptation.

This adaptation takes an unusual approach by introducing a psychic link between Victor and his creation, underscoring the idea that the scientist and the monster are two halves of the same being. While conceptually compelling, some changes to the characters feel excessive: the captain becomes overly solemn, and Victor himself is portrayed with an almost saintly nobility that softens the original’s moral ambiguity.

As a film, it struggles to fully deliver. The story is touching but the narrative flow feels unfocused, drifting like a string of loosely connected moments. The parents’ coping mechanisms—his drinking and her gaming—don’t deepen the emotional arc, making the portrayal of resilience feel underdeveloped.

The young lead delivers a remarkably natural performance, carrying the film with quiet charm and authenticity. By shedding light on the challenges faced by special-needs communities, the story encourages understanding and empathy, reminding us that greater awareness fosters deeper care and acceptance. It’s a heartfelt subject worth exploring.

The movie was really real and well written! For budget it was on, this is a top-tier! Two actors are missing on here tho? Mihajlo Bucevac and Kirby Amber. The trans expirence and sexual assault are made really well and realistic.

Buena película 🤝

A disgusting and brilliant body horror film that people seem to think is the best thing David Cronenberg ever made. Not true, but I do like the relationship between the at the time very real couple of Jeff Goldblum and Geena Davis, and how they attempted to handle their situation. And the visual effects speak for themselves.
Now, watch the original!!!

Nyc

Me encantó!

R86ri6r6

Good

Few films capture joy as effortlessly as this one. The lavish feast delights not only the senses but also the soul, and the subtle expressions of the diners evoke a deep appreciation for life’s simple pleasures. Through food, the film celebrates happiness, love, and the fragile beauty of peace, with dialogue that lingers long after the credits roll.

A beautifully tender film that celebrates the power of generosity, compassion, and the quiet resilience of women through the profound emotional bonds between three female characters. Using the elegance of a French banquet as both a metaphor and centerpiece, the film reflects on humanity’s longing for freedom, beauty, and spiritual fulfillment. It’s a warm, nourishing experience in every sense.

A deeper look into Mark’s positive side might have given the film more balance, especially since the source materials offered plenty to explore. Even so, the movie works on several levels, and Dominik’s technical craft is evident throughout. It also features Eric Bana’s finest performance to date.

Andrew Dominik’s debut already shows his sharp instinct for capturing inner conflicts, giving the characters a sense of tragic complexity. Yet the narrative lacks structural tension and fails to build layered dynamics, leaving much of the dramatic weight resting on the shocking imagery at the beginning and end. The result is visually arresting but emotionally flat.