Reviews

Much like "Heathers," this film uses color as a powerful metaphor—beneath its vibrant hues lies a repressive, homophobic environment. Every humorous line carries an underlying critique of society’s rigid views on gender identity. Even forcing students to repeatedly say “I’m a homosexual” as if it were an admission of guilt is a way of eroding self-confidence. This film was ahead of its time.

What moved me most was the relationship between Brandon and Lana. Before meeting Brandon, Lana was stuck in a bleak, aimless existence. He showed her what it meant to be truly loved, and even after discovering his gender identity, she chose to leave with him. But their love story was cut short in the most brutal way. This film is a testament to the urgent need for understanding and acceptance in our world.

A film about childhood, about growing up, and about summer. As a road movie, its visuals are impeccable—from frogs resting on reeds and caterpillars nibbling on leaves to the vast blue ocean and starry night sky. The journey is populated with an array of characters, forming a child’s dreamlike summer adventure. Though the quest to find the boy’s mother doesn’t lead to the happiest outcome, both the boy and his companion undergo meaningful growth along the way.

The series is drenched in darkness, both visually and thematically, much like the funeral that opens the story. After the first episode, I almost lost interest—it overwhelms the viewer with information, revealing plot points that could have been unraveled gradually over time. While the series does offer some unexpected twists, they don’t deliver significant surprises. The pacing feels off, making the conclusion seem rushed.

Compared to Yoshiaki Kawajiri’s version, this film embraces a more surreal and grotesque aesthetic. While it lacks the visual grandeur of the 2001 adaptation, it excels in character development. This iteration of D feels more human rather than just an enigmatic warrior, and even the supporting characters are given depth and personality.

A defining work by Lee Chang-dong, this film traces the tragic downfall of an idealistic young man, who crumbles over two decades under the weight of societal pressures and personal flaws. Told entirely in reverse chronology, it masterfully uses gaps and echoes to enhance its impact. Sul Kyung-gu’s performance is extraordinary, and the film’s haunting score and long takes elevate it to an artistic triumph.

This is far more than a horror film—it is a poignant meditation on humanity, growth, and love set against the backdrop of war. Compared to "Pan’s Labyrinth," Guillermo del Toro’s earlier work exudes a sense of revolutionary romanticism, something simple yet deeply symbolic. The unexploded bomb standing in the orphanage’s courtyard serves as a chilling omen, foreshadowing the emotional and literal devastation looming ahead.

At two and a half hours, there's barely any memorable characters, much less a plot. The intent to meticulously recreate a battle isn’t inherently flawed, but when nearly the entire film consists of relentless gunfire with little thematic depth, it ends up feeling narrow in scope.

The film’s cinematography and overall composition are impressive. The tiny apartments and dimly lit basements create a "prison" visually, with foreground obstructions and spatial compression heightening the sense of entrapment. Familiar techniques like zooms and long takes foreshadow the director’s later stylistic signatures, while the use of high and low angles further enhances the oppressive atmosphere.

The film’s use of color is an exceptional narrative device. If Lee’s journey is marked by the varying shades of purple, symbolizing personal growth, then Grey’s emotional landscape is painted in hues of crimson, scarlet, and deep red. Purple suggests mystery and allure, while red embodies danger and impulse. Even in the unnoticed corners of their world, color emerges as a pivotal storytelling element.

good

Brutal.

IS SUPER GOOD

Amazing work all team best zombie movie ever

The ultimate feminine experience. Definitely a must!
If you’re a gore lover…

An icon of its time and not only!

Good movie, totally would recommend it!

Definitely worth watching in cinema!

Great and very active series, 2nd part is the best!