Reviews

Character work is a standout. Mark Meachum isn’t your typical infallible hero—he’s brash, impulsive, and sarcastic. Yet in crisis, he relies on smarts and grit to pull through. His grounded persona makes him feel real, and that relatability draws the audience in.

The plot isn’t exactly groundbreaking—assassination plots and power games we’ve seen before—but the tone is breezy and fun. The pacing is impressively tight, and it's been a while since Hollywood delivered an action flick that didn’t overstay its welcome. Some of the visual effects, though, are noticeably cheap.

Pretty pointless. There’s some clever dialogue, and it's nice to see Bill Murray back—this feels almost like a spiritual continuation of his "Mad Dog and Glory" persona—but overall, the film wastes its cast and never goes anywhere.

The film truly blew me away right from the get-go—the animation, effects, and sound design are stunning. Beyond the spectacle, it rekindles a childlike wonder about the universe and reminds us why we remain captivated by the unknown.

The production quality is undeniably high, yet the film’s weakest link is its plot. The plot is the soul of a film, and without a cohesive narrative or clear logic, even the most technically impressive film will struggle to resonate with audiences.

This is best enjoyed as a popcorn-friendly action comedy. There’s virtually nothing scary about it, and the moment the lead breaks into song had the entire theater laughing. It may come off as juvenile from a technical standpoint, but given its sci-fi premise, the flaws are forgivable. The plot does drag a little, and the ending lacks surprise, but the film still delivers a good-enough time.

John Cameron Mitchell’s work here—as writer, director, actor, and singer—is nothing short of astonishing. For rock fans, this is likely a cult classic. Many will find themselves hunting down the soundtrack and listening to it on repeat all night. It’s also one of the most emotionally resonant queer films out there. "The Origin of Love," paired with its whimsical animation, captures a radically moving vision of love.

The poster for "Icarus" is striking: a bright red background, a massive hand with each finger tied to strings in the Olympic colors, and a marionette-like athlete dangling beneath it. It’s a chilling metaphor for the way global sports can be manipulated from the shadows.

What gives the film its charm is not just its emotional impact, but also its craftsmanship—naturalistic performances, witty dialogue, and fluid camera work come together with seamless editing to create something tender and authentic. The artistic style aligns perfectly with the director’s intent to explore the characters' inner worlds.

Pekar’s story isn’t one of fame or fantasy. He was a deeply ordinary man, and that’s what made him extraordinary. His comics, rough as they were, reflected the grit and nuance of everyday life. The beauty of underground comics lies precisely in this honest, unfiltered lens on the mundane.

Si bien es innegablemente un espectáculo visual, "Superman" también ofrece una interpretación sorprendentemente matizada de sus personajes. El héroe titular no solo es poderoso, sino también bondadoso por naturaleza, consciente de los daños colaterales durante la batalla, deteniéndose para no herir a una ardilla bajo sus pies e incluso conquistando a enemigos alienígenas con empatía. El villano, también, es convincente tanto en diseño como en motivación.

It’s easy to see why the film garnered so much praise. Awkwafina’s performance is grounded, and her portrayal of Billi’s emotional journey is extremely nuanced. While the film only lightly touches on tension arising from cultural differences, that’s not really its point. The strength of the film lies in how it presents deeply personal emotions with quiet clarity.

good movie, funny guys.

This is not an easy film to digest. Its fragmented narrative and heavy use of symbolism can leave viewers lost or frustrated. More than that, it demands a solid grounding in philosophy and legal theory to fully grasp the weight of its dialogue and dramatic structure.

Its boldest narrative choice is the use of Victor’s ghostly voice as a narrator, tying the women’s stories together from beyond the grave. This surreal device adds emotional weight and reveals the characters’ inner struggles. Unfortunately, the film’s latter half loses momentum, and some plot twists stretch believability.

The film poses a deceptively simple question: how ambitious can humans get? Louis’ rise from being a disgraced outsider to becoming a duke is fueled entirely by an unchecked desire for power that's masked as revenge. What elevates the film is its inventive storytelling and the director’s deft use of dry British wit, which adds a distinctive charm to this darkly comic tale of social climbing.

The film is visually striking. The grandeur of Antarctica’s glaciers sharply contrasts with the bleakness of oil-slicked beaches, reminding us of both human destruction and potential redemption. A key mid-film moment—when the penguin is returned to the wild—avoids sentimentality and instead conveys a profound respect for the cycles of life.

To prepare for this review, I watched THE NAKED GUN (1988), starring Leslie Nielson as Lt. Frank Drebin. This review is about THE NAKED GUN (2025), starring Liam Neeson as Lt. Frank Drebin Jr. This is a legacy sequel/reboot of a classic parody/spoof comedy. I hesitate to describe anything about the plot because there are so many jokes baked into it, so I won’t. All I’ll say is it reminded me of THE KINGSMAN, and Frank Jr. succeeds at being as incompetent as his father. For a pure and silly comedy, this is extremely well-written. Director Akiva Schaffer, who made POPSTAR: NEVER STOP NOT STOPPING and CHIP ‘N DALE: RESCUE RANGERS, does a great job throwing jokes at the audience at a rapid-fire rate. Normally this would get old or annoying, but almost all of them landed for me. There’s a timeless quality to the humor, relying more on wordplay and visual gags, and not on pop culture references. The main reason this movie works so well is Liam Neeson. He acts like he’s in a serious movie, but he’s doing the stupidest things. I was laughing the entire 85-minute runtime. It felt exactly like the original. I really enjoyed the noir-style of storytelling, complete with inner monologues. This movie is the perfect reminder of why theatrical comedies matter. Laughing with strangers is so fun! We need more movies like this. Stick around during the credits and pay attention to what you hear and see. Remember, comedy is subjective. We all have different humour frequencies, so not everyone is going to enjoy this as much as I did. I would say go hit the theaters this weekend, but I don’t want you to hurt your hand. Embrace the silly and stupid, go see THE NAKED GUN, you will Shirley have a wonderful time.

The film moves along with a consistently cheerful tone, and even if you ignore its allegory about social change, it still works as a simple fable. Society evolves, and people evolve. As long as you can face your real self, you can then change yourself, and perhaps bring a little positivity to the world.

The film’s strength lies in its character work and pitch-perfect casting. Thora Birch gives a mesmerizing performance, balancing sensitivity with eccentric charm. Her ever-changing wardrobe adds visual flair. The director, clearly attuned to both visual art and music, also excels at capturing the strange disconnect between his characters and their environment.