Andrei Tarkovsky

Andrei Tarkovsky

Cast · Writer · Director

Born
April 4, 1932 · Zavrazhe, Yurevetskiy rayon, Ivanovskaya Promyshlennaya oblast, RSFSR, USSR [now Ivanovskaya oblast, Russia]
Died
December 29, 1986
Birth name
Andrei Arsenevich Tarkovsky

The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.

Let's Get Physical!

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K AugustMay 11, 2026
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Meditating with Andrei Rublev

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Lucas.December 31, 2024
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Afternoon Murmur: Notre Musique

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THE DISSIDENTSSeptember 14, 2024
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In a Violent Nature: An Evolution of the Slasher

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Matthew Alan SchmidtSeptember 4, 2024
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Time, Memory and History, Analysis of Visual Aesthetic in Andrei Tarkovsky's "The Mirror"

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Timeless Tales BWNovember 25, 2023
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The Mirror: Sculpting in Time with Andrei Tarkovsky

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Timeless Tales BWNovember 25, 2023
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Tarkovsky nos lembra que a nostalgia não é um afeto feliz

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jasonbaroniMay 17, 2026
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El secreto que nunca confesaré: crónica de un viaje en el tiempo

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Juan Pablo González (JotaPé Gé)February 9, 2026
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BLACK ANGEL – Uma parte pouco conhecida da história de Star Wars

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Daniel Formiga ElétricaDecember 27, 2025
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Nostalgia (1983): La película de Andrei Tarkovski en exilio

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Paula Vazquez PrietoDecember 9, 2025
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O Som da Queda – Quando o cinema de gênero mata o próprio debate

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Lucas CineOctober 28, 2025
1

Yo no sé (y sin embargo)

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Javier Gustavo BonafinaOctober 26, 2025
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LA ESCENA QUE LO EXPLICA TODO: UN MOMENTO, SIETE MAESTROS Y LA FIRMA DE UN ESTILO

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Victor D SoledadOctober 10, 2025
1

Esculpir el Tiempo con Almohadas: De Hora de Aventura al cine como refugio

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Yester.June 13, 2025
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Entender lo Bello que es no Entender: Un Perro Andaluz, de Luis Buñuel

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José ZendejasJune 4, 2025
4

“Ryuichi Sakamoto: Coda” — quando o som persiste à presença

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Rafael SylosApril 12, 2025
2

LA HERMOSA ILÓGICA DE TARKOSVSKY

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David Guzmán QuinteroNovember 26, 2024
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La Zona de Tarkosvky.

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Carlos Guillermo Rivas PandoOctober 27, 2024
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Murmúrio da Tarde: Nossa Música

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OS DISSIDENTESSeptember 27, 2024
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Andrei Tarkovski y la idea de un espacio exterior

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Paula Vazquez PrietoSeptember 16, 2024
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