
Andrei Tarkovsky
Cast · Writer · Director
- Born
- April 4, 1932 · Zavrazhe, Yurevetskiy rayon, Ivanovskaya Promyshlennaya oblast, RSFSR, USSR [now Ivanovskaya oblast, Russia]
- Died
- December 29, 1986
- Birth name
- Andrei Arsenevich Tarkovsky
The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.

Let's Get Physical!


Meditating with Andrei Rublev


Afternoon Murmur: Notre Musique


In a Violent Nature: An Evolution of the Slasher


Time, Memory and History, Analysis of Visual Aesthetic in Andrei Tarkovsky's "The Mirror"


The Mirror: Sculpting in Time with Andrei Tarkovsky


Tarkovsky nos lembra que a nostalgia não é um afeto feliz


El secreto que nunca confesaré: crónica de un viaje en el tiempo


BLACK ANGEL – Uma parte pouco conhecida da história de Star Wars


Nostalgia (1983): La película de Andrei Tarkovski en exilio


O Som da Queda – Quando o cinema de gênero mata o próprio debate


Yo no sé (y sin embargo)


LA ESCENA QUE LO EXPLICA TODO: UN MOMENTO, SIETE MAESTROS Y LA FIRMA DE UN ESTILO


Esculpir el Tiempo con Almohadas: De Hora de Aventura al cine como refugio


Entender lo Bello que es no Entender: Un Perro Andaluz, de Luis Buñuel


“Ryuichi Sakamoto: Coda” — quando o som persiste à presença


LA HERMOSA ILÓGICA DE TARKOSVSKY


La Zona de Tarkosvky.


Murmúrio da Tarde: Nossa Música


Andrei Tarkovski y la idea de un espacio exterior
