George A. Romero
Cast · Writer · Director
- Born
- February 4, 1940 · The Bronx, New York City, USA
- Died
- July 16, 2017
- Birth name
- George Andrew Romero
"""I've always thought of zombies as a revolution, a generation consuming the next one."" George Andrew Romero was an American film director, screenwriter, and editor, recognized as the creator of the zombie archetype in pop culture. Influenced by Michael Powell and Orson Welles, he made films with an 8 mm camera during his childhood. After graduating from Carnegie Mellon University in Pittsburgh, he began his film career by making short films, commercials, and working on television. In 1968, he made his directorial debut with Night of the Living Dead. The characteristics of his zombies became the foundation of the subgenre and influenced countless films and video games. Years later, the saga continued with Dawn of the Dead (1978) and Day of the Dead (1985). His films explore various themes, such as consumerism, militarization, and class struggle. Beyond his iconic zombie saga, he directed other horror and fantasy films, including The Crazies (1973), Martin (1976), and Creepshow (1982). Throughout his career, Romero received multiple awards at the Sitges Film Festival, including a lifetime achievement recognition. His innovative approach and social criticism made him a key influence in horror cinema, inspiring generations of filmmakers and genre enthusiasts."
DIABOLICAL ATTRACTION (version for non-Spanish speakers)
5 Horror Subgenres that People Might Not Have Lots of Knowledge On
28 years later | The life you must face
The Top 5 of the Pantheon of Panic: Immortal Icons Who Forged Horror Cinema
A Look at “The Long Walk” Trailer (and what we should expect in September)
The Evolution of Zombie Cinema: Hollywood vs. the Rest of the World
Night of the Living Dead
Zona Zero (Colony, 2026): Romero ficaria orgulhoso
Perder la voluntad
ATRACCIÓN DIABÓLICA
Super 8: una película de amor y un amor de película (o películas)
la realidad una rareza para la humanidad
El zombie cinéfilo
Lo que tememos nos define: una historia del terror a través del tiempo
Carpenter, entre el horror y el humor social
Del grito al silencio: la historia del miedo en la pantalla (Parte I) | Migue Calabria | Sentido Critico
El éxito de un episodio en una serie | Análisis del E1-T1 TWD
Crítica en retrospectiva: 300 (Zack Snyder, 2006)
#ESPEJOS DEL FUTURO Y DEL ALMA
Alex Garland Wars: Warfare (2025)
