
Coralie Fargeat
Cast · Director · Writer
- Born
- November 24, 1976 · Paris, France
"We need stories that speak to us about the world we live in, not a series of endless 'remakes’." Known for exploring body horror from a feminist perspective, French filmmaker Coralie Fargeat uses visual effects and visceral images combined with intense soundtracks to create atmospheres where violence and beauty coexist in a tension typical of the fragility of contemporary humanity. Inspired by directors such as Cronenberg and Carpenter, she redefines the genre with films that go beyond the screen, such as Revenge (2017) and The Substance (2024), which won the Best Screenplay award at the Cannes Film Festival. Fargeat is part of a generation of female directors with a feminist stamp whose work challenges not only the boundaries of the horror and science fiction genres, but also perceptions of power and the objectification of the body. Her work is a bridge between genre cinema and social criticism, which has not only earned her awards at international festivals, but also established her as a unique voice that challenges traditional aesthetics.

La Sustancia, un film cargado de una crítica social muy vigente contada a través del horror corporal.


Máscaras y sombras: Explorando la dualidad del ser en 'La Sustancia' y los clásicos victorianos.


La Sustancia y el miedo de ser descartadas


La Sustancia (2024), o cuando el culto a la belleza se vuelve toxico


The Substance (2024): Segundas partes que son buenas.


La sustancia: La película más impactante del año


Estrenos | La sustancia (2024)


Crítica de "La sustancia" ("The Substance", Coralie Fargeat, 2024)


Crítica: La Sustancia — Demi Moore brilla en la película más desagradable del año


La Sustancia y la utopía de la juventud eterna


The Substance: un nuevo exponente del body horror


'La sustancia': impactante regreso del extreme horror francés


Crítica La sustancia (The Substance): el precio de la juventud eterna


The Substance: El body horror feminista que necesitábamos


Violación y Venganza


Cannes: el cine como cuestionamiento de la realidadCannes: el cine como cuestionamiento de la realidad


A Contradição dentro de A Substância: A Invalidação do Extremismo


A Contradição dentro de A Substância: A Invalidação do Extremismo
