
Gaspar Noé
Cast · Director · Writer
- Born
- December 27, 1963 · Buenos Aires, Argentina
“2001: A Space Odyssey was my first hallucinogenic experience, my great artistic turning-point”. Gaspar Noé is a renowned and controversial Argentine film director. He spent his childhood between Buenos Aires, New York, and later Paris, where he settled and began his film studies. He graduated from the École Nationale Supérieure Louis Lumière in 1982 and began making short films, developing his style as a director. He made his feature film debut in 1998 with Seul contre tous (I Am All Alone), a sequel to one of his best-known short films, Carne (1991). In the following years, he made several films, including notable titles such as Irreversible (2002), Enter the Void (2009), Love (2015), and Climax (2018), among others. Characterized by exploring various themes taken to extreme experiences, Noé's works provoke intense reactions in his viewers, which has earned him both admiration and criticism. Awarded at multiple film festivals such as Cannes, Sitges, and San Sebastián, Gaspar Noé is undoubtedly one of the most prominent and original figures in contemporary cinema.

Bring Her Back is the New Benchmark for Elevated Horror


IRREVERSIBLE: A Cinematic Red Flag


Climax (Gaspar Noé, 2018)


Irreversible: el límite social intransigente de la horrible genialidad de Gaspar Noé


Revisitando o que é Irreversível (2002)


No mueran de literaridad


Afersun: Viéndola desde una perspectiva más adulta


Irreversible y la violencia gratuita


Se habrá entendido IRREVERSIBLE en su año? o su director tuvo que salir a explicarla?


Retro Análisis | Angst, un viaje inquietante a la mente de un asesino


QUÉ opino de CLÍMAX de GASPAR NOÉ


La chica de la aguja, los cerdos y el mandato


ASIA ARGENTO: MULTITALENTO


ENTREVISTA CON AMAT ESCALANTE – por "Perdidos en la noche" (2023)


"La Venganza en el Cine"


IRREVERSIBLE: EL CICLO DE LA VENGANZA.


Espástica, mugrienta y contagiosa. Mads (2024) David Moreau


"La sustancia": La nueva carne rompe sus límites


Gaspar Noé: sexo barato, autohomenajes y un profundo desprecio por el cine


El Cine está en el ojo del observador
