Reviews

Having followed this series for years, rewatching it now, I realize that many of the killers are driven by a desire for justice that the law simply can't provide. Yet Conan only focuses on condemning the criminals without addressing the deeper issues. After a while, this repetitive pattern begins to wear down my enthusiasm for the show.

Kana is hands down the most well-developed character this season. After enduring so many setbacks, she remains hardworking, sincere, and kind-hearted. She could’ve been jealous of Akua's talent or used her seniority to undermine the group, but instead, she strives to be a valuable team member. She takes her responsibility as a former child star seriously and refuses to let others feel the disappointment she once experienced. Her character truly embodies the beauty of the human spirit.

As far as adaptations go, the first episode’s quality is impeccable, almost like a full feature-length film. The 90-minute runtime perfectly captures the tone and excitement of the climax. While the manga itself has logical gaps, the animation’s strengths more than make up for its flaws.

As Suzume embarks on her journey of self-discovery and redemption, she learns the true meaning of family, friendship, and love. She also gains a deeper understanding of life and death. Makoto Shinkai uses nostalgic songs to transport us through time, allowing the present self to comfort the past self and find a better future.

What I admire most is that the film avoids the usual heroism tropes. It doesn’t preach that one should willingly sacrifice themselves to save the world. Instead, it honestly portrays the idea that those who save others also wish to live.

In my opinion, this is Makoto Shinkai’s best work to date. He’s expanded his horizons, moving towards a socially conscious art form. All of the film’s fantasy elements mirror real-life earthquake disasters, and its emotional core offers vast interpretive depth. The ruins aren’t just physical—they exist within people’s hearts as well.

The movie’s settings and effects capture the essence of the game, but the plot falls short. What seems like a diverse and forward-thinking story is really just a dated, chosen-one narrative straight out of the past. The writing is formulaic and forgettable, so it’s no surprise the box office performance was lackluster.

I haven’t played the game, so I can’t speak to how faithful the adaptation is. Based solely on the movie, it’s a familiar off-world adventure story. Pandora's ecosystem is visually intriguing, though it’s packed with familiar post-apocalyptic tropes.

This is the kind of film that either resonates strongly with you or leaves you completely puzzled. Personally, I loved it. The mix of humor and heartfelt moments worked for me. The kids embody both innocence and bravery. Freddie is my favorite, and I’m a sucker for that kind of purity.

This isn’t a bad movie, and in fact, it’s better than the first one. If you treat it as a superhero-themed American comedy, it’s actually quite charming. With a solid script, a focus on family, elements of Greek mythology, and a cast full of good-looking actors—despite the awful CGI and fake muscle suits—it’s an entertaining comedy overall.

The original novel must be great, even though the adaptation isn’t stellar. Surprisingly, the final product is still watchable. Though the pacing is slow, it manages to hold my attention. However, the narration feels unnecessary and detracts from the overall experience.

Based on the novel of the same name, this show offers little of value. I gave up after 30 minutes. It’s a stale detective series with massive plot holes and a lack of respect for the audience’s intelligence. There’s so much dialogue that even if you cut 80% of it, the plot wouldn’t suffer any changes. The lead actor’s performance also feels disconnected from the character.

The film’s pacing is poor. The extended buildup, which takes up two-thirds of the movie, tests the audience's patience. It’s packed with unnecessary American family drama, masking the undercurrents of tension. Only as the conflicts unravel in the final act does the film shift into its tense escape-thriller mode—but by then, it’s almost too late.

Watching this thriller on the big screen for the first time was a unique experience. The slow buildup leads to a well-executed finale, where the truth unravels in a tense, tightly-packed climax, leaving the audience both surprised and impressed by the psychological horror crafted throughout.

Goof

Amazing

What a playful inventive romp this film was. I loved Karla Sofía Gascón, Zoe Saldana and Selena Gomez. All three brought complexity humour and pathos to their roles. I had no idea what was coming next! The sound quality for the musical numbers was alienating.

This is one of the most beautiful, moving, loving films I've ever seen in my life. My thanks to the Pelletier family for allowing us to go on this adventure with you all. I am so grateful for the vulnerability. I felt I learned so much about parenting, retinis pigmentosa, and the world. What humility and courage this family shows. I hope this film has been a positive force in this family's life. Artistically, this is a stunning documentary. The moments captured are genuine and intimate and at times, frightening and heartbreaking. The journey itself is remarkable and beautifully shot. Lives don't follow a seven pillar story structure. But Daniel Roher and Edmund Stenson find such a subtle profound shape to the courage in this story and I followed along, riveted the entire time.

Armand is beautifully shot and performed. Renate Reinsve is exceptional. The storyline, both simple and complex, was mostly riveting. I loved the surreal moments in this script, they were my favourite element: magical, theatrical, amusing, cathartic, however they went on far too long so they stalled the narrative. If this film could be edited down by 15 minutes, it would maintain its tension.

can tell you by seeing