Reviews

Nice fuker

JKBJHHJ

A FUCKIN' AUDIO-VISUAL MASTERPIECE, THIS PROGRAM DESERVES MUCH MORE.

Good

English language and hindi

This film is the perfect holiday watch, capturing the season’s spirit. Jim Carrey’s signature facial expressions are on full display, as they have been since “The Mask”, and while his over-the-top style feels repetitive, it’s hard to imagine him dialing it down without losing his charm. Such is the paradox of a performer so defined by his singular style.

A live-action film with the vibrant energy of an animated cartoon. From the quirky character designs and exaggerated vocal deliveries to the slapstick moments reminiscent of “Tom and Jerry”, the film embraces a unique aesthetic. That said, it leans heavily into the grotesque, pushing the boundaries of what might even qualify as B-movie elements for a children’s film. Still, the young actors are undeniably adorable and bring a lightheartedness that offsets the bizarre visuals.

The plot is pretty basic, but the concept is really cool. Just think about it: you’re desperate to end your life but somehow keep failing, and then someone shows up to kill you. Would you still want to die then?

At 20:45 minutes, when the heroine gets out of the car and stands there to put a toy in her pocket instead of making a run for it, I knew that this was going to be a bad movie.

Man, I can’t believe how much these Venom movies keep going downhill since the first one. Supposedly the grand finale, it doesn’t even feel like they’re trying anymore in this one. It’s such a mess, and honestly, it’s so bad that a part of me almost didn’t want it to end—just to see how much worse it could actually get. A total disaster.

The concept for this movie is solid, and the execution is actually pretty decent. The suspense is there, and the pacing isn’t bad at all. But, man, the script leaves you shaking your head. Like, seriously, go see a doctor instead of wandering off alone if you're sick! Instead, the protagonist decides to run around and, of course, cross paths with a psychopathic villain. In the end, the protagonist survives, but two innocent people end up dead for no reason. Now imagine explaining that to the cops.

This sequel just doesn’t measure up to the first film in the series. It honestly feels like the director and screenwriter lost track of what they were trying to achieve. The plot is all over the place, with some major inconsistencies in the settings. Like, how can Area 55 be 30 meters underground, yet Venom could somehow burst out through the wall onto the streets? And the whole geography thing is a mess. Area 51 and Las Vegas feel like they’re located randomly on a map, and don’t get me started on the bacteriophage's size! One moment it’s massive, the next it shrinks—it’s like the director made decisions on the fly. The whole movie has this off-the-cuff vibe that really takes away from the experience.

Honestly, I felt like I was watching a soap opera, but I just couldn’t stop!

The protagonist being completely paralyzed is actually a cool concept, but the way the plot unfolds from there is a total letdown. She just keeps surviving through random coincidences. And somehow, even though she’s supposed to be paralyzed, the script magically lets her move at the exact moments she needs to. It’s pretty ridiculous. And don’t even get me started on the villain's ending—it’s so lame. Honestly, do yourself a favor and skip this one.

Honestly, this is hands down the best movie in the series. The story gets way bigger, shifting from just one person's PoV to multiple PoVs, and we get to see how the whole Venom thing plays out from different perspectives. It makes the whole universe feel more alive and interesting. And the idea that literally anything can turn into Venom is just super fun. Sure, I figured out where things were headed halfway through, but that didn’t ruin the experience for me. The flashbacks near the end hit me hard—I was actually tearing up. And let's be real, Tom Hardy is just as awesome (and yeah, sexy) as ever.

This is the typical fancy garbage from streaming services. The monologues are everywhere, and Alfonso Cuarón clearly doesn’t give a damn about the characters; everyone’s just a puppet he can manipulate. The last episode is the worst of all—it's like he ran out of ideas and just dumped a bunch of plot twists on us. It's laughable. Oh, and can we talk about how nothing good ever happens when British people drink tea? They definitely need coffee to get serious work done!

It feels like a really fancy soap opera. Alfonso Cuarón’s technique is undeniably top-notch, but the story is just too bland, leaving me really disappointed. And seriously, I’ve got to give a heads-up to the ladies out there—don’t take nude photos for anyone! It can lead to a world of trouble!

This drama is really top-notch, blending cinematic and literary elements perfectly. The narrative structure is both complex and beautifully crafted. The use of tracking shots totally channels the style of 'Children of Men,' while the erotic scenes pay homage to 'And Your Mother Too.'