Reviews

This show really stands out because it digs so deep into the emotions of the three women. You get to see their joys, anger, and sadness in such a real way, and the director doesn’t hold back with the bold sex scenes and dialogue to show female desire. Each actress brings something special, almost like a nod to their iconic past roles—Roar, She’s Gotta Have It, In My Skin. It’s such a shame that Showtime dropped it. I really hope it gets the attention on its new platform and picks up some well-deserved awards.

The old-school, enclosed-space framing somehow feels fresh in this movie. If there's ever been a true spiritual sequel to Forrest Gump, this might be it.

Has to be a female director, right? Only someone who really understands women’s psychology and all the little details we care about could make a show like this. Definitely a must-watch for all women, haha!

The visuals are all about that solemn and grand vibe, and the lighting and soundtrack really amp up the unease and tension, keeping you on the edge of your seat until the very end. The film lays bare the corruption and desires of the Curia. Those who preach righteousness are full of hidden vices, while the so-called heretics are the ones true to their hearts. Irony at its best.

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It lacks the tension and suspense typical of this genre. The director seems aware of his limitations, trying to make up for it with chaotic, rapid-cut scenes to manufacture a sense of disarray. Even worse is the lack of character depth, making the interactions between Denzel Washington and Rami Malek lackluster.

It feels like a Polish version of Gangs of London, but it doesn’t quite hit the same level of style or that gritty gangster vibe. The story’s a bit rough around the edges, but it’s still watchable.

The show pushes boundaries more than I expected. It weaves together four storylines that focus on female desire and self-awareness, creating something really unique.

The concept's good, but the big problem is there's way too much dialogue and not enough storytelling through visuals. Also, some of the emotional twists just feel kind of cheap. I think the screenwriter needs to focus more on why the dialogue would actually grab the audience’s attention.

I feel like there's a plot hole in this movie. So if Min grows up to be Varee, does that mean Min is the kid of Varee, or is it the other way around? And seriously, where does Min even come from?

It is basically the Spanish version of 28 Days Later. The movie doesn’t offer anything new—just plenty of tense chases and people revealing their true nature in extreme situations.

It felt more like watching a stage play than a movie.

Honestly,a few more women in the team would have been nice, but what it really needs is more female writers.

The ending is honestly hilarious. Kate didn’t even finish cleaning up the mess from last season, and now there’s a whole new disaster. The diplomat's basically turning into a problem solver at this point.

The Dutton family keeps showing us one simple truth: if you want to protect the life you value, you have to fight. Ignoring politics? It’ll come back to bite you. You can't just sit back and play along—you've got to know how to work the system to get ahead.

Poor little Tate Dutton’s had it tough. He’s taken down a rattlesnake, got kidnapped, shot a bad guy, survived a car crash, and even lost his newly born baby brother.

The movie covers a lot of ground in under two hours—topics like personal beliefs, politics, religion, civil rights, and culture. The script is pretty straightforward but still fun. It’s one of those feel-good films where you kind of already know how things will end up for the characters but still enjoy the experience.

This show kind of feels like one of those series that's been there forever. Like, I'm just watching it out of habit.

The ending is brilliant, surprisingly better than season 1

After watching this show, you feel like it's totally fine to have all kinds of emotions and desires—like you're really understood for who you are.