Catherine Keener

Catherine Keener

Cast

Born
March 26, 1959 · Miami, Florida, USA
Birth name
Catherine Ann Keener

Catherine Keener is an American actress, Oscar-nominated for her roles in the independent films Being John Malkovich (1999) and Capote (2005). Acclaimed in her community for her quirky roles in independent film and mainstream such as The 40-Year-Old Virgin (2005), Keener got her start as a casting director in New York City. Catherine Ann Keener was born in Miami, Florida, and was raised in Hialeah, FL. She is the daughter of Evelyn (Jamiel) and James Keener, who owned an auto shop. She is of Lebanese (mother) and English, Scottish, and German (father) descent. Keener attended Wheaton College in Massachusetts. She began taking acting classes when she was unable to sign up for a photography class. After graduating, Keener managed a McDonalds in New York City before becoming an assistant casting director and soon relocating to Los Angeles. Not long after, Keener told her superior of her aspirations for acting and she landed a one-worded role as a waitress in About Last Night (1986). Two years later, she landed a role in a film called Survival Quest (1989), where she met her future husband, Dermot Mulroney. After struggling for years in the industry, Keener landed a role in an independent film, opposite the unknown Brad Pitt, in Johnny Suede (1991). Her ascent in independent film began as she starred in Living in Oblivion (1995) and Walking and Talking (1996) before her mainstream break with Being John Malkovich (1999) in 1999, which earned Keener her first Oscar nomination. Since then, Catherine Keener has starred in several critically acclaimed films.

An American Crime (2007)

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C.L. IllsleyMarch 29, 2026
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“Suck my d**k!”: Being Cameron Diaz

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K AugustDecember 6, 2025
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From the Vault Review: Brand New Cherry Flavor (Miniseries)

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vanessa makiApril 23, 2025
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Hacia Rutas Salvajes cambió mi visión del cine y de la vida

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JesusMad90January 26, 2026
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Dia 15 Recomendando Películas de Terror por Este mes de Octubre: *Get Out* (2017)

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Sanabria 666October 15, 2025
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Inmortalizar es ir Más Allá del Éxito... EXCELSIOR Philip Seymour Hoffman.

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Alexa Boogie-OogieSeptember 18, 2025
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Como SIMONE ajudou a prever o futuro e a IA na Arte

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Lucas FilmesSeptember 6, 2025
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¿VIRGEN A LOS 40 ? O MEJOR DICHO A LOS 20 ?

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Christian Gómez GeraldoMarch 13, 2025
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Joker: Folie à Deux (Todd Phillips, 2024), el musical inesperado.

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EFROU (BUIA Films)December 31, 2024
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Get Out y sus similitudes con Shrek 2

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fedeicasuriagaDecember 6, 2024
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I'm too old for this shit! Dos comedias románticas de Nicole Holofcener sobre el amor en la mediana edad.

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mariel.leiNovember 10, 2024
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Huye: Terror Racista y la Lucha por la Identidad

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Adonay HidalgoOctober 18, 2024
2

Joker 2 Folie à Deux

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chr1x7ianOctober 15, 2024
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Cuando la magia se derrumba, hablemos de Joker 2

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Revisitando ClasicosOctober 10, 2024
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“Get Out” de Jordan Peele: una pieza que redefinió el género de terror

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cami mOctober 9, 2024
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¿Soy solo yo, o todo el mundo está perdiendo la cabeza por Joker: Folie à Deux?

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Jeroo CascoOctober 9, 2024
2

Juicio a Joker: Folie à deux

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Pablo PlanovskyOctober 7, 2024
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Joker 2: Folie à Deux: la parabellum del buen psicótico

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Daniel CasteloOctober 4, 2024
2

Todd Phillips nos volvió (una vez más) a engañar a TODOS

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Jeroo CascoOctober 4, 2024
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Crítica Guasón 2: Folie à Deux (Joker 2: Folie à Deux): la conciencia de la locura

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Ezequiel BoettiOctober 3, 2024
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