Pier Paolo Pasolini

Pier Paolo Pasolini

Cast · Director · Writer

Born
March 5, 1922 · Bologna, Italy
Died
November 2, 1975

“An artist, if he's unselfish and passionate, is always a living protest.” Italian film director, poet, writer, and intellectual Pier Paolo Pasolini, remained a contentious figure as his work often exposed socio-political polemics in an uncompromising and often provocative fashion. Throughout his career, he underwent significant artistic evolution, transitioning from poetry and literature to filmmaking as his primary medium of expression. His films were characterized by a raw and unflinching portrayal of reality, blending elements of neorealism with poetic symbolism, allegory, and religious imagery. His early films, such as "Accattone" (1961) and "Mamma Roma" (1962), explored the struggles of marginalized communities in post-war Italy, laying the groundwork for his later masterpieces like "The Gospel According to St. Matthew" (1964) and "Salò, or the 120 Days of Sodom" (1975), which delved deeper into religious, political and sexual themes in an extremely graphic and critical manner. His outspoken views on taboo subjects garnered both admiration and condemnation and he remains a major figure in European literature, cinema and politics.

Bring Her Back is the New Benchmark for Elevated Horror

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Matthew Alan SchmidtJune 3, 2025
6

Kitsch o no kitsch, esa es la cuestión: el cine de John Waters y la teoría de Moles

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Daniel CasteloNovember 14, 2025
3

La llegada de Pier Paolo Pasolini al cine, su etapa fundante; de Accatone a Mamma Roma y un arte que rompe los moldes

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Paula Vazquez PrietoOctober 31, 2025
2

Las películas de los otros, de Pier Paolo Pasolini

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Javier Porta FouzAugust 23, 2025
1

Salò o le 120 giornate di Sodoma: La violencia explicita como método de protesta

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CoolBoysDontCryAugust 16, 2025
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Sobre Glauber Rocha: Intensidad (segunda parte)

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Javier Porta FouzJuly 22, 2025
1

Sobre Glauber Rocha: Intensidad (primera parte)

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Javier Porta FouzJuly 17, 2025
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Conclave (2024): Intrigas, secretos y el juego de poder en el Vaticano.

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Nicolás Medina San MartínDecember 17, 2024
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9 Películas que generan TERROR (pero no pertenecen al género)

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Un AlienOctober 14, 2024
4

La belleza convulsiva: sobre TEOREMA (1968)

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Andi DoinelOctober 11, 2024
0

El último Pasolini: teoría y estética en la última etapa de su filmografía

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mariel.leiOctober 1, 2024
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Pasolini y el vía crucis del cine

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marcellproustSeptember 25, 2024
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Comienzo brillante: las primeras tres películas de Todd Haynes

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Javier Porta FouzSeptember 20, 2024
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Temenos (1998) una poesía incierta hecha de imágenes

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Agus in filmsSeptember 13, 2024
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La Orestíada, por Esquilo y Pasolini

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mariel.leiAugust 27, 2024
0

Infinity Pool: en el nombre del padre, en el nombre del hijo

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Javier Porta FouzJuly 26, 2024
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A Prince, hacía una nueva narrativa

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SieleMay 1, 2024
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Apuntes sobre "lo poético" en el cine

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Andi DoinelApril 6, 2024
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Las prostitutas del régimen: Salon Kitty (1976), de Tinto Brass.

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Old BoyFebruary 27, 2024
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PROHIBIDAS Y MALDITAS

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feliza___October 14, 2023
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