
Pier Paolo Pasolini
Cast · Director · Writer
- Born
- March 5, 1922 · Bologna, Italy
- Died
- November 2, 1975
“An artist, if he's unselfish and passionate, is always a living protest.” Italian film director, poet, writer, and intellectual Pier Paolo Pasolini, remained a contentious figure as his work often exposed socio-political polemics in an uncompromising and often provocative fashion. Throughout his career, he underwent significant artistic evolution, transitioning from poetry and literature to filmmaking as his primary medium of expression. His films were characterized by a raw and unflinching portrayal of reality, blending elements of neorealism with poetic symbolism, allegory, and religious imagery. His early films, such as "Accattone" (1961) and "Mamma Roma" (1962), explored the struggles of marginalized communities in post-war Italy, laying the groundwork for his later masterpieces like "The Gospel According to St. Matthew" (1964) and "Salò, or the 120 Days of Sodom" (1975), which delved deeper into religious, political and sexual themes in an extremely graphic and critical manner. His outspoken views on taboo subjects garnered both admiration and condemnation and he remains a major figure in European literature, cinema and politics.

Bring Her Back is the New Benchmark for Elevated Horror


Kitsch o no kitsch, esa es la cuestión: el cine de John Waters y la teoría de Moles


La llegada de Pier Paolo Pasolini al cine, su etapa fundante; de Accatone a Mamma Roma y un arte que rompe los moldes


Las películas de los otros, de Pier Paolo Pasolini


Salò o le 120 giornate di Sodoma: La violencia explicita como método de protesta


Sobre Glauber Rocha: Intensidad (segunda parte)


Sobre Glauber Rocha: Intensidad (primera parte)


Conclave (2024): Intrigas, secretos y el juego de poder en el Vaticano.


9 Películas que generan TERROR (pero no pertenecen al género)


La belleza convulsiva: sobre TEOREMA (1968)


El último Pasolini: teoría y estética en la última etapa de su filmografía


Pasolini y el vía crucis del cine


Comienzo brillante: las primeras tres películas de Todd Haynes


Temenos (1998) una poesía incierta hecha de imágenes


La Orestíada, por Esquilo y Pasolini


Infinity Pool: en el nombre del padre, en el nombre del hijo


A Prince, hacía una nueva narrativa


Apuntes sobre "lo poético" en el cine


Las prostitutas del régimen: Salon Kitty (1976), de Tinto Brass.


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