
James Woods
Cast · Director
- Born
- April 18, 1947 · Vernal, Utah, USA
- Birth name
- James Howard Woods
James Howard Woods was born on April 18, 1947 in Vernal, Utah, the son of Martha A. (Smith) and Gail Peyton Woods, a U.S. Army intelligence officer who died during Woods' childhood. James is of Irish, English, and German descent. He grew up in Warwick, Rhode Island, with his mother and stepfather Thomas E. Dixon. He graduated from Pilgrim High School in 1965, near the top of his class. James earned a scholarship to the Massachusetts Institute of Technology; dropping out during his senior year in 1969, he then headed off to New York with his fraternity brother Martin Donovan to pursue aspirations to appear on the stage. After appearing in a handful of New York City theater productions, Woods scored his first film role in All the Way Home (1971) and followed that up with meager supporting roles in The Way We Were (1973) and The Choirboys (1977). However, it was Woods' cold-blooded performance as the cop killer in The Onion Field (1979), based on a Joseph Wambaugh novel, that seized the attention of movie-goers to his on-screen power. Woods quickly followed up with another role in another Joseph Wambaugh film adaptation, The Black Marble (1980), as a sleazy and unstable cable-T.V.-station owner in David Cronenberg's mind-bending and prophetic Videodrome (1983), as gangster Max Bercovicz in Sergio Leones mammoth epic Once Upon a Time in America (1984), and scored a best actor Academy Award nomination as abrasive journalist Richard Boyle in Oliver Stone's gritty and unsettling Salvador (1986). There seemed to be no stopping the rise of this star as he continued to amaze movie-goers with his remarkable versatility and his ability to create such intense, memorable characters. The decade of the 1990s started off strongly with high praise for his role as Roy Cohn in the television production of Citizen Cohn (1992). Woods was equally impressive as sneaky hustler Lester Diamond who cons Sharon Stone in Casino (1995), made a tremendous H.R. Haldeman in Nixon (1995), portrayed serial killer Carl Panzram in Killer: A Journal of Murder (1995), and then as accused civil rights assassin Byron De La Beckwith in Ghosts of Mississippi (1996). Not to be typecast solely as hostile hoodlums, Woods has further expanded his range to encompass providing voice-overs for animated productions including Hercules (1997), Hooves of Fire (1998), and Stuart Little 2 (2002). Woods also appeared in the critically praised The Virgin Suicides (1999), in the coming-of-age movie Riding in Cars with Boys (2001), as a corrupt medico in Any Given Sunday (1999), and in the comedy-horror spoof Scary Movie 2 (2001). A remarkable performer with an incredibly diverse range of acting talent, Woods remains one of Hollywood's outstanding leading men.

Cronenberg Boys Love to Fail: The Failure of Canadian Men


I was (sorta) Videodrome’s first victim


Once Upon a Time in America at 40: How Do We Evaluate This Flawed Masterpiece?


The Existential Dilemma of Movie Gangsters: "Just when I thought I was out, they pull me back in!"


Acusados: La verdad ensamblada


VIDEODROME: sexo y violencia en el ciberespacio retrofuturista


Melancólica y clásica: El Esquema Fenicio (2025), de Wes Anderson


Videodrome: Muerte a la IA, larga vida a Cronenberg


Alguien tiene que hacer el trabajo sucio


A 40 años de Érase una vez en América: ¿Cómo evaluar esta obra maestra con defectos?


Cronenberg, el maestro del Body Horror


El dilema existencial de los gánsteres en el cine


O dilema existencial dos mafiosos do cinema: "quando eu penso que estou fora, eles me puxam de volta!"


"Contacto"... Ir a otro lugar del universo sin despegar de La Tierra.


Videodrome, o el día que David Cronenberg nos contó el futuro


Maestro y autor: acerca de John Carpenter


Hades : Un carismático Villano


CONTACTO, al borde de la realidad – 1997


La fragilidad adolescente: "Las vírgenes suicidas" de Sofía Coppola
