
Fritz Lang
Director · Cast · Writer
- Born
- December 5, 1890 · Vienna, Austria-Hungary (now Austria)
- Died
- August 2, 1976
- Birth name
- Friedrich Christian Anton Lang
"The struggle of the individual against fate is perhaps the basis of all my films." Fritz Lang was an influential Austrian film director who in his beginnings contributed to the German expressionist movement with films such as Metropolis (1927), M (1931), and The Testament of Dr. Mabuse (1933). Years later, escaping from Nazism, he went into exile in the United States and became one of the main referents of film noir in North America. Recognized as one of the most obsessive and innovative directors in the history of cinema, Lang infused film noir with expressionist elements, using his films to explore social problems and reflect on the modern individual. With a style dominated by tension and chiaroscuro, the "Master of Darkness" used lines, shapes, and volumes to translate the mentality and mood of his characters, always maintaining the somber aesthetic that characterized his work.

The newest and oldest movies I watched in 2024


Composition 101: Why composition matters in cinematic language?


Shadows of Mabuse: The Gambler's Enigma


M, O Vampiro de Dusseldorf


Hans Beckert. As feridas abertas do Vampiro de Düsseldorf


Vamos a entender como terror el sentimiento a priori de un suceso, esto es el miedo.


Boogie Nights: otro paraíso perdido


El cine de ciencia ficción a través de su historia, o como la visión del mañana esta sujeta al presente.


El origen de la cuenta regresiva


El Futuro Predicho por Hollywood


Cuatro clásicos: Lang, Ford, Lubitsch, McCarey


Anotaciones sobre Metrópolis


El vampiro negro (y argentino)


El análisis de dos monstruos a casi un siglo de distancia: La Chica de la Aguja y M, El Vampiro de Düsseldorf


Fritz Lang: creador de monstruos


Os filmes mais novos e os mais antigos que assisti em 2024


De El Padrino a Scary Movie: La Evolución de los Clásicos del Cine


10 Grandes Films que no fueron nominados a mejor película


Camino a Halloween: Una guía de películas que quiero ver en octubre


Los anillos de Alphaville: Godard, Kubrick y dos computadoras autócratas
