
John Waters
Cast · Director · Writer
- Born
- April 22, 1946 · Baltimore, Maryland, USA
- Birth name
- John Samuel Waters Jr.
"If someone threw up at one of my screenings, it would be like a standing ovation." Humor, transgression, and social criticism are the essence of the works of John Waters, a symbol of trash cinema that has turned bad taste into a form of art. Born in Baltimore in the 40s and fascinated since childhood by the provocative, violent, and grotesque expressions, Waters has created films where humor and discomfort intertwine in search of breaking social boundaries. Walters disrupts popular culture narratives by transforming the vulgar into satirical entertainment with films like Pink Flamingos (1972). Shot with low budgets and raw aesthetics, they showcase his marked kitsch style, with trembling shots and extreme angles that emphasize absurdity through chaos. His evolution as a director is reflected in his work, with films such as Polyester (1981) and Hairspray (1988), where he uses ironic soundtracks to enhance the action. However, these are just new additions to his cinema, which is still committed to the celebration of the strange, inconvenient, and grotesque expressions.

Queer Ritualism (Vol.2): Long Live the Divine Diva!


Fantasia Fest 2025: Weird, Silly, and Horny as Hell! FUCKTOYS is Indie Cinema at It's Best


Kitsch o no kitsch, esa es la cuestión: el cine de John Waters y la teoría de Moles


Escuela de jóvenes asesinos (1988): se están gestando psicópatas


Cine sin retorno: Totalmente salvaje (primera parte)


Pink Flamingos


Hagan buenas películas o mueran


50 años de The Rocky Horror Picture Show: culto, estigma y reapropiación


Pink Flamingos: Uno de los chistes más grotescos del cine.


SPARKS: Música para perdedores


¿Pero que %$&@#$& con Emilia Pérez? Una narrativa mediocre e ignorante de un dolor real y vigente


Comedia desesperada: Anora (2024) de Sean Baker


Actores | Kristen Stewart en Love Lies Bleeding (2024)


Enemigas íntimas. Feud (2017) y la titánica pelea entre Bette Davis y Joan Crawford


"El Topo", de Alexandro Jodorowsky. No hay Imposibles


Por qué Tonto y retonto es mi película favorita


Hairspray: Bailando en contra de la segregación


Una nueva perspectiva: adolescencia queer.


John Waters vuelve al cine
