
Coralie Fargeat
Cast · Director · Writer
- Born
- November 24, 1976 · Paris, France
"We need stories that speak to us about the world we live in, not a series of endless 'remakes’." Known for exploring body horror from a feminist perspective, French filmmaker Coralie Fargeat uses visual effects and visceral images combined with intense soundtracks to create atmospheres where violence and beauty coexist in a tension typical of the fragility of contemporary humanity. Inspired by directors such as Cronenberg and Carpenter, she redefines the genre with films that go beyond the screen, such as Revenge (2017) and The Substance (2024), which won the Best Screenplay award at the Cannes Film Festival. Fargeat is part of a generation of female directors with a feminist stamp whose work challenges not only the boundaries of the horror and science fiction genres, but also perceptions of power and the objectification of the body. Her work is a bridge between genre cinema and social criticism, which has not only earned her awards at international festivals, but also established her as a unique voice that challenges traditional aesthetics.

DEMI MOORE: la grandeza al fin


Vingança: Muita violência gráfica e feminismo #yougogirl


The substance: La belleza cuesta


Misma Trama, perspectivas Diferentes


LA SUSTANCIA Y LA HERMANASTRA FEA, Misma Crítica...Diferente Estilo y Temática


La Sustancia: crítica a la hipersexualización con el 'absurdo'


Todas somos la hermanastra fea de alguien. "The Ugly Stepsister" (2025) de Emilie Blichfeldt


Coralie Fargeat: Body Horror y La Sociedad de Consumo


La sustancia: Un reflejo sobre nosotros cuando nos aferramos al pasado


Una "Cajita Feliz" para los degustadores de efectos prácticos


Las reinas del cine


El triunfo del edadismo en los Oscar 2025


Oscars 2025 — ¿Qué pasó y qué aprendimos?


Premios Oscar 2025: entre la justicia y el fiasco


La Sustancia, Pobres criaturas y Barbie: Las mujeres son algo más que una cara bonita.


WTF con los Oscars


Predicción Oscar 2025 - Mejor Dirección


¿Se les debería dar entidad a los Oscar?: un repaso por datos controversiales de la historia de los premios


El mal viaje de Jen


MIS FAVORITAS AL OSCAR
