Jonathan Glazer

Jonathan Glazer

Director · Writer · Cast

Born
March 26, 1965 · London, England, UK

Jonathan first found fame for his revolutionary work on Radiohead's 'Street Spirit' and Jamiroquai's multi-MTV award winning 'Virtual Insanity' video. In 1999 he directed the ground-breaking Guinness 'Surfer', which picked up 2 D&AD Black Pencils and the top spot at most of the other awards festivals that year. The film still heads many lists as one of the best commercials of all time. He has made iconic commercials for Stella Artois, Levis, Nike, Sony, Volkswagen, Channel 4, Wrangler, Apple and many others. His film for Alexander McQueen won a Grand Prix at the Ciclope Festival in Berlin. In 2000 Jonathan directed Sexy Beast which was nominated for Best British Film by BAFTA. This was followed 4 years later with Birth, staring Nicole Kidman and Lauren Bacall. His 2014 film, Under The Skin stars Scarlett Johansson and is an adaptation of Michel Faber's 2000 novel of the same name. Under The Skin received 2 BAFTA nominations and won critical acclaim as a 'landmark in filmmaking'. Later on, Jonathan directed work for the BBC in the form of 2019's 'The Fall', a short film influenced by Goya's 'The Sleep of Reason Produces Monsters' and a hunting photograph of Donald Trump's two sons posing with a dead leopard; and 2020's Strasbourg 1518, a collaboration in isolation created during Covid, inspired by a unique plague striking inhabitants of the city who danced until their ultimate demise.

The Zone of Interest Reveals Glazer's Rage

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Cine FilesApril 5, 2025
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Why The Zone of Interest Earned Two Oscars?

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Indie CornerMarch 11, 2024
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The Zone of Interest| To write poetry after Auschwitz is barbarism

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seamouseMarch 8, 2024
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A real feminist film that deconstructed seriousness——Barbie and the missed Oscar nomination

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THE DISSIDENTSFebruary 23, 2024
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The Zone of Interest is still an artistic consumption of the Holocaust

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THE DISSIDENTSFebruary 3, 2024
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‘Barbie’ Oscars Snubs and The Biggest Surprises in the Nominations

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Indie CornerFebruary 2, 2024
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Why does "Under the Skin" avoid straightforward exposition?

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Indie CornerSeptember 22, 2023
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Crítica: Aún estoy aquí (Ainda Estou Aqui, Walter Salles, 2024)

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Gabriel DumontSeptember 6, 2025
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Birth | El amor como sugestión

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Evelyn PereaMay 21, 2025
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Zona de Interesse Revela a Fúria de Glazer

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Cine FilesApril 5, 2025
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Zona de interés revela la ira de Glazer

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Cine FilesApril 5, 2025
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Cinco películas que justificaron este año 2024 (y donde verlas)

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Daniel CasteloDecember 20, 2024
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The Zone of Interest: Un antihéroe que nos enseña como los sistemas banalizan la ética.

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Javier AfricanoDecember 5, 2024
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A Different Man (2024): El cine del reflejo y la ruptura.

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Nicolás Medina San MartínNovember 27, 2024
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Finales abiertos: ¿Qué #$%&$* me quiso decir?

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Valeria Venegas SalinasOctober 12, 2024
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81° Festival de Venecia #1 - Campo di battaglia (2024) de Gianni Amelio: Entre paredes blancas.

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Nicolás Medina San MartínSeptember 20, 2024
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El sonido en The Zone of Interest (Jonathan Glazer, 2023)

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EFROU (BUIA Films)July 4, 2024
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Dogtooth- Retrato de una familia (dis)funcional

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Julia González DubkinJune 23, 2024
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La guerra, el hilo conductor para tres categorías de los Óscar 2024

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EnriCrosApril 1, 2024
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Zona de Interés ¿Merecedora ganadora de The Oscars?

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User-1119090685March 28, 2024
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