
Jennifer Kent
Director · Writer · Cast
- Born
- March 5, 1969 · Brisbane, Queensland, Australia
Jennifer Kent is an acclaimed Australian director, screenwriter, and former actress, best known for her distinctive contributions to modern horror cinema. After launching her career in television with roles in series like Murder Call (1997) and All Saints (1998), Kent transitioned behind the camera, training under Lars von Trier on Dogville (2003) and establishing herself as a filmmaker with her award-winning short Monster (2005). She gained international recognition with her feature debut The Babadook (2014), a psychological horror film lauded for its emotional depth and stylistic boldness. The film became a critical and cultural phenomenon, earning numerous accolades and solidifying Kent's status as a major voice in genre cinema. Her follow-up, The Nightingale (2018), premiered at the Venice Film Festival, where it won the Special Jury Prize and further showcased her ability to blend visceral storytelling with historical and social commentary. A vocal advocate for female representation in horror and film, Kent continues to develop ambitious projects that challenge narrative conventions and genre expectations.

Horror: The ideal genre for low budgets


El espejo sin reflejo


El estereotipo de lo femenino en el cine de terror hecho por mujeres


El futuro del terror es femenino


Del grito al silencio: la historia del miedo en la pantalla (Parte II) | Migue Calabria | Sentido Critico


“The babadook” - ¡quiero dormir, quiero dormir!


Apagá la luz: porque el cine de terror necesita del contexto para funcionar | Migue Calabria | Sentido Critico


¿Es posible escribir desde la incertidumbre? The woman in the yard (2025) Jaume Collet-Serra


¿Qué define el género al que pertenece una película? A propósito de Salve María (2024) de Mar Coll


Duelo, trauma y monstruosidad en Daddy´s Head (2024) de Benjamin Barfoot


Dos veces la misma película. Smile 2 (2024) Parker Finn


The Babadook


Entrégate sin reservas a tus obsesiones. Stopmotion (2023) de Robert Morgan


El horror según Jennifer Kent: la voz de una verdadera autora moderna


Ocho realizadores (y realizadoras) que deberías tener en cuenta a esta altura
