David Robert Mitchell
Director · Writer · Cast
- Born
- October 19, 1974 · Clawson, Michigan, USA
David Robert Mitchell is an American director mainly known for the breakout horror film ''It Follows'' which had its world premiere at the Cannes Film Festival in May 2014. in 2002, Mitchell wrote and directed ''Virgin'' a short film featuring Carolina Castro and Cameron Diskin about a local legend sees a vision of Virgin Mary which leads him to the pursuit of true love, in 2010, he wrote and directed ''The Myth of The American Sleepover'' which starred Claire Sloma and Marlon Morton, the film had its world premiere at the South by Southwest festival on March 10, 2010. It was released on July 22, 2010 in a limited release. in 2014, Mitchell directed ''It Follows'' featuring Maika Monroe and Keir Gilchrist, the horror film was breakout hit and grossed over $14 million at the box office and was labeled one of the best indie films of 2015. The film was released on March 13, 2015, in a limited release, but because it was so successful it finally got a wide release on March 27, by Radius-TWC, a division of The Weinstein Company.
Just Because Something Works Once Doesn't Mean It Will Always Work: "The End of Oak Street" (2026)
Autumn: Halloween and the reflection of maturity
The End of Oak Street: Una increíble premisa desperdiciada
O Fim da Rua - Crítica
30° FICL | Tragedia colombiana sobre tragedia latinoamericana en "Noviembre" (2025)
Con Spoilers: El inicio de una aventura imposible en 'El Final de la Calle Oak'.
El (Servible) final de la calle Oak
O Fim da Rua (2026): blockbuster brincando de terror
El FINAL DE LA CALLE OAK…al fin
Crítica - O Fim Da Rua
O Fim da Rua: A memória do impossível
The End of Oak Street: cuando el suburbio se convierte en territorio jurásico
El recorrido ochentoso de la calle Oak
O Fim da Rua (The End of Oak Street) confirma David Robert Mitchell como um dos grandes cineastas da atualidade
Que algo funcione una vez, no significa que siempre sea así: "El Final de la Calle Oak" (2026)
Andrew Garfield y Silver Lake
Apagá la luz: porque el cine de terror necesita del contexto para funcionar | Migue Calabria | Sentido Critico
Historia de un diablo suelto: Longlegs, de Oz Perkins
Absurdismo, horror-comedy...¿y palo a Jeffrey Epstein?: A propósito de 'Under The Silver Lake'
