
Pablo Larraín
Director · Writer · Cast
- Born
- August 19, 1976 · Santiago de Chile, Metropolitan Region, Chile
- Birth name
- Pablo Larraín Matte
“Cinema, sometimes, is a necessary scream.” Chilean director and screenwriter Pablo Larraín leaves his mark on Latin American cinema by addressing political and social memory and human drama through a powerful poetics in films such as Tony Manero (2008), Post Mortem (2010) and No (2012), the first Chilean film nominated for an Oscar. With his unsettling style, he immerses the viewer in the duality of situations, showing the complexity and depth of social structures while delving into the intimate universe of the protagonists. An explorer of public figures who carry the wounds of history and culture, Larraín has taken on iconic female figures to tell their stories in biopics that redefine the genre, making the story as fascinating as the myth itself, with films such as Jackie (2016), Spencer (2021) and his project Maria (2024), played by Angelina Jolie. The director is not afraid to take risks, using an intense visual language and editing with disconcerting transitions, where the dialogue continues. He reshapes the possibilities of storytelling, leaving space for the viewer to make their own interpretation, while the worlds of the intimate and the historical merge. With a cinema that seeks to disturb and shake, Larraín is considered one of the most visionary directors in American cinema.

‘Maria’: Anything Else Beyond Angelina Jolie? Stay Away If You’re a Fan of Maria Callas


El Conde: Story of a Deicide


“Jackie” | The Ordinary Person Behind the Facade of Greatness


The Esoteric Style of Pablo Larraín in memory of the 50th Anniversary of the 1973 Chilean coup d'état


Spencer | Princess Diana Portrayed by Pablo Larrin, A Delicate yet Hollow Tragedy


El Conde: Vampires and Their Tango with Bloody Dictatorship


“No” - The Perfect Preparation for “El Conde”


El Conde: A Bloody Cinematic Experience About History


Mis muertos tristes y su fallido maridaje entre realismo social y terror fantástico


Crítica - Maria Callas


La mujer del cuadro y yo


Fotogramas Eternos: Secuencias que Se Graban en el Alma del Cine Latinoamericano


Sufoco e claustrofobia de uma mulher em colapso: Spencer


"Tony Manero" - la danza de la muerte


Maria Callas, el ocaso de una diva


María: solo ella, nunca como La Callas


Vamos falar sobre o filme mais subestimado do Oscar 2025


Hablemos del título más IGNORADO de los Oscar 2025


Crítica: María — Angelina Jolie es La Callas de Larraín


Maria oferece algo além da volta de Angelina Jolie?
