Léa Seydoux

Léa Seydoux

Cast

Born
July 1, 1985 · Paris, France
Birth name
Léa Hélène Seydoux-Fornier de Clausonne

“I need to act, it's a necessity. I need to express myself through it and it's more like an existential necessity. I've always felt I had a melancholy inside me and that I had to just make that melancholy express itself.” Coming from an important family in the film business, granddaughter of Jérome Seydoux (President of Pathé Distribution) and grandniece of Nicolas Seydoux (Chief Executive Officer of Gaumont), Léa Seydoux knew how to earn and honor her place in the industry beyond her connections. Her interpretations stand out for the handling of ambiguity and the intensity of her gaze in terms of mysterious or melancholic characters. She began her career in French cinema with appearances in films such as "Une vieille maîtresse" (2007) by Catherine Breillat and "La belle personne" (2008) by Christophe Honoré, a film for which she received her first nomination for the César Awards and won the Trophée Chopard at the Cannes Film Festival. She made the breakthrough to international cinema with her role in "Inglorious Bastards" (2009) under the direction of Quentin Tarantino and a few years later in Woody Allen's "Midnight in Paris" (2011), while still showing interest in smaller or independent projects. In 2013 she won the Palme d'Or at the Cannes Film Festival for her performance in "La vie d'Adèle", despite the arduous shooting in the hands of Abdellatif Kechiche, and was nominated for a BAFTA for Best Emerging Actress. In addition, in 2015 she entered the list of "Bond Girls" after stepping into the skin of Madeleine for the film "Spectre" (2015) and its sequel "No time to die" (2021). She has worked with other great directors such as Wes Anderson, Mia Hansen-Løve, Yorgos Lanthimos and David Cronenberg.

A Spark in the Dark: Casefiles from Crooked City

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Matthew Alan SchmidtNovember 27, 2025
8

The Lobster Isn't As Artsy As You Think It Is

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SUNSAugust 14, 2025
5

It is a masterpiece of science fiction and also one of the best films of the year.

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Maroi SanderJanuary 25, 2025
2

The Pain of Progress: Why CRIMES OF THE FUTURE Still Cuts Deep in 2024

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Juanes Ópera Film y SeriesDecember 3, 2024
9

"The Beast": A Movie that Made Léa Seydoux Schizophrenic

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FastAndActionJuly 5, 2024
0

Love Is...'The Beast'

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cinejanieMay 7, 2024
0

Dune: Part Two: Where formalism gets even more intense as the story gets more intriguing.

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Chandler_AHMarch 7, 2024
1

Blue Is the Loneliest Colour

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FastAndActionMarch 5, 2024
0

The Lobster: The Absurdity of Marriage and Utopia

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thinkmillerJanuary 15, 2024
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Léa Seydoux, an actress who's shy of getting attention

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Candy's theaterJanuary 16, 2023
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O Lagosta e a psicologia: como forjar um novo tipo de compromisso?

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Julia MoaApril 14, 2026
1

Doble cero, sin licencia para amar

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La garraFebruary 25, 2026
2

É apenas o fim do mundo: como podemos anunciar a morte?

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VanessaFreitas0January 7, 2026
3

Querer vivir en el pasado también es una forma de no vivir

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M3dLAugust 1, 2025
18

Después de Adèle ( Blue Is the Warmest Colour) … ¿Cómo se sigue cuando amaste tanto?

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Bel ColmanJuly 2, 2025
2

The Lobster: El amor moderno es una distopía absurda

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UsulJuly 1, 2025
4

¿Es toda película una historia de amor?

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Cauqueb DibJune 19, 2025
2

La performatividad en El Segundo Acto (Quentin Dupieux, 2024).

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EFROU (BUIA Films)June 1, 2025
3

La obra de arte en la época de la Inteligencia Artificial

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F.April 1, 2025
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La gran ilusión: dos films de Quentin Dupieux

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Santiago BuonasenaMarch 27, 2025
4