
El último rock (1978)★ 7.9/10
The Last Waltz
- Documental
- Música
- Biografía
Dirección: Martin Scorsese
Guion: Mardik Martin
En 1976, el concierto final de The Band en el Winterland de San Francisco, capturado por Martin Scorsese, presenta actuaciones icónicas con estrellas invitadas como Bob Dylan y Muddy Waters, junto con entrevistas que reflejan su carrera de 16 años.
Artículos sobre esto
Reparto y equipo
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Robbie RobertsonSelf - Guitar-Vocal
Muddy WatersSelf - Performer
Neil YoungSelf - Performer
Van MorrisonSelf - Performer
The BandThemselves
Rick DankoSelf - Bass-Violin-Vocal
Levon HelmSelf - Drums-Mandolin-Vocal
Garth HudsonSelf - Organ-Accordion-Saxophone-Synthesizers
Richard ManuelSelf - Piano-Keyboards-Drums-Vocal
Eric ClaptonSelf - Performer
Neil DiamondSelf - Performer
Bob DylanSelf - PerformerVideos
Ver todo ›Reseñas
R
Ricardo-bebe26 de junio de 2025
Ricardo-bebe26 de junio de 2025A mí no me funcionó; no percibí nada del estilo característico de Scorsese. Parecía estar ahí solo para rellenar los créditos de dirección y producción.
V
violinha26 de junio de 2025
violinha26 de junio de 2025Vi El último rock con gran expectación, solo para terminar sintiéndome confundido e incluso angustiado. Esperaba una película deslumbrante, pero resultó ser un documental directo. Su estructura es simple y repetitiva: canción, entrevista, canción, entrevista… así una y otra vez hasta los créditos finales. Solo captura actuaciones en el escenario y entrevistas posteriores, sin ofrecer momentos realmente sorprendentes.
K
K August13 de enero de 2026
K August13 de enero de 2026The greatest live concert event of its time? Yes.
Of all time? Not quite, especially after 'Stop Making Sense' was released, but it is one of my favourites and it is interesting to see the band in interviews discussing their difficult rise, unforseen success, and eventual downfall. Scorsese was close with Robbie Robertson, and I wonder if the director would like to continue with this trend of documentaries on popular music (his work on the blues and with the Rolling Stones is highly commendable).
Also, you can find extra footage of the event online.
It is a remarkable epitaph for a band named after an insult - look that up - that became legendary.
Thumbs way up...with a lit match between the fingers!
Of all time? Not quite, especially after 'Stop Making Sense' was released, but it is one of my favourites and it is interesting to see the band in interviews discussing their difficult rise, unforseen success, and eventual downfall. Scorsese was close with Robbie Robertson, and I wonder if the director would like to continue with this trend of documentaries on popular music (his work on the blues and with the Rolling Stones is highly commendable).
Also, you can find extra footage of the event online.
It is a remarkable epitaph for a band named after an insult - look that up - that became legendary.
Thumbs way up...with a lit match between the fingers!
K
Kevin_Wilcox31 de julio de 2025
Kevin_Wilcox31 de julio de 2025Assisti a O Último Concerto de Rock com grande expectativa, mas acabei me sentindo em conflito e até mesmo angustiado. Eu esperava um filme deslumbrante, mas acabou se revelando um documentário direto. Sua estrutura é simples e repetitiva — música, entrevista, música, entrevista — repetidamente até os créditos finais. Ele apenas captura apresentações no palco e entrevistas pós-show, sem oferecer nenhum momento verdadeiramente surpreendente.
J
Jared_Wall31 de julio de 2025
Jared_Wall31 de julio de 2025Não funcionou muito bem para mim — não captei nada do estilo característico de Scorsese. Parecia que ele estava lá apenas para preencher os créditos de diretor e produtor.
M
Mark_Stanton31 de julio de 2025
Mark_Stanton31 de julio de 2025It didn’t really work for me—I didn’t catch any of Scorsese’s trademark style. It felt like he was just there to pad out the director and producer credits.
A
Art_Dennis31 de julio de 2025
Art_Dennis31 de julio de 2025I watched "The Last Waltz" with eager anticipation, only to end up feeling conflicted and even distressed. I expected a dazzling film, but it turned out to be a straightforward documentary. Its structure is simple and repetitive—song, interview, song, interview—over and over until the credits roll. It merely captures stage performances and postshow interviews, without offering any truly surprising moments.















