#Family
The Boy and the Heron: Miyazaki's Journey Inside the Mind
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theohoratioOctober 11, 2023
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John Carney: The Best Musician Among Filmmakers
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cinejanieOctober 11, 2023
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Past Lives: The Past and The Present
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FastAndActionOctober 11, 2023
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The Boy and the Heron: Hayao Miyazaki, Unseen Before
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SuperMovieSeptember 29, 2023
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Spider-Man: Fascism, Trauma, and Superheroes
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marvelousmarsSeptember 28, 2023
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If Ariel Can Be Black, Can Mulan Be White?
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marvelousmarsSeptember 27, 2023
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Totem: Image Practices of “Totemism”
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SuperMovieSeptember 26, 2023
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Why Do Audiences and Critics Have Different Opinions on The Super Mario Bros. Movie?
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JamieLSeptember 26, 2023
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My Neighbor Totoro: Please Allow Me To Call Unto You
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Charlie'sMovieMoveItSeptember 22, 2023
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Love at First Sight: How to Make a Predictable yet Heartwarming Rom-com
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cinejanieSeptember 21, 2023
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Elemental: Pixar Explores the Value and Danger of Love for the First Time
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theohoratioSeptember 21, 2023
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The Creative Fusion of Hayao Miyazaki and Hideaki Anno
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Indie CornerSeptember 18, 2023
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Studio Ghibli's Hand-Drawn Magic
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Indie CornerSeptember 18, 2023
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Totem: A Mexican girl facing impending tragedy but buoyed by family love
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RayZSeptember 13, 2023
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Spirited Away: The Weight of Name and Names
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Charlie'sMovieMoveItSeptember 8, 2023
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No-face: A Baby And A Mirror of Humanity
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Charlie'sMovieMoveItSeptember 8, 2023
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Of Fathers and Sons: Why Would a Father Let His Son Die
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Mona JisaSeptember 7, 2023
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Is Violence the Only Way Out in City of God?
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Indie CornerSeptember 1, 2023
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Guillermo del Toro's Pinocchio Could Have Taken on a Darker Theme!
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cinejanieAugust 31, 2023
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The Problem With Chalamet’s Wonka: Candy Capitalism
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marvelousmarsAugust 31, 2023
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