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The Metaphorical Language of 'Asako I & II'
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FastAndActionSeptember 28, 2023
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Spider-Man: Fascism, Trauma, and Superheroes
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marvelousmarsSeptember 28, 2023
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The 71st San Sebastian Film Festival: A Perfectly "Charming" Journey
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lunalunaSeptember 27, 2023
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Pink on the Screen: Erotic and Non-erotic
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cinejanieSeptember 27, 2023
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Spencer | Princess Diana Portrayed by Pablo Larrin, A Delicate yet Hollow Tragedy
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FromsHerEyesSeptember 27, 2023
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Rural Ukiyo-e: Magical Realism and Modern Allegory
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Let's Talk About...September 27, 2023
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What You May Not Know About 'La La Land'
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toKoralíSeptember 27, 2023
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If Ariel Can Be Black, Can Mulan Be White?
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marvelousmarsSeptember 27, 2023
1
The Stuff
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curiosidadescineseriebSeptember 27, 2023
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Spellbound: Psychoanalysis as a Magic Trick
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THE DISSIDENTSSeptember 27, 2023
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El mal no existe: Ryūsuke Hamaguchi elimina el mal y obtiene tres premios
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wslaughterSeptember 27, 2023
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The True Story of 'The Greatest Showman'
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Timeless Tales BWSeptember 27, 2023
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Totem: Image Practices of “Totemism”
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SuperMovieSeptember 26, 2023
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‘The Hedgehog’ : Shared Souls, Breaking Loneliness
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FastAndActionSeptember 26, 2023
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A Five-Hour 'Happy Hour' Proves Anyone Can Make a Movie
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SuperMovieSeptember 26, 2023
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Víctor Erice, Back to San Sebastian, Back to Childhood Nightmare
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seamouseSeptember 26, 2023
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Fire of Love: Love Triangle at the Edge of Abyss
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Tusch74September 26, 2023
1
Oppenheimer: Less Science, More Art
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marvelousmarsSeptember 26, 2023
0
Why Do Audiences and Critics Have Different Opinions on The Super Mario Bros. Movie?
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JamieLSeptember 26, 2023
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Historical roots of the Swedish commune depicted in ‘Midsommar’
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pedroSeptember 26, 2023
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