
The War Is Over (1966)★ 7.3/10
La Guerre est finie
- Drama
- War
Directed by: Alain Resnais
Written by: Jorge Semprún
Diego, Spanish Communist leader, evades arrest at the border and tries to prevent his comrade from being detained by Franco’s police in Madrid.
Articles about this
Cast & crew
See all ›
Yves MontandDiego Mora
Ingrid ThulinMarianne
Geneviève BujoldNadine Sallanches
Jean DastéLe chef du réseau clandestin
Dominique RozanJude
Jean-François RémiJuan
Marie MergeyMadame Lopez
Michel PiccoliL'inspecteur des douanes
Anouk FerjacMarie Jude
Roland MonodAntoine
Pierre DecazesL'employé SNCF
Paul CrauchetRobertoAwards · 0 wins, 1 nominations
See all ›- NomineeAcademy Awards, USA 1968Oscar · Best Writing, Story and Screenplay - Written Directly for the Screen
Reviews
V
VioletassssAugust 8, 2025
VioletassssAugust 8, 2025This time, the director ditched the flashback narrative structure, making the plot more straightforward and easy to follow. He incorporated fantasy elements and close-up shots in the intimate scenes between the two women, which, in a way, carries on the dreamy, ambiguous style of Hiroshima Mon Amour.
D
Dave_ShannonAugust 8, 2025
Dave_ShannonAugust 8, 2025The film dances between reality and illusion, leaving uncertainty as the only real suspense.
C
Chloe_VasquezAugust 8, 2025
Chloe_VasquezAugust 8, 2025O filme dança entre a realidade e a ilusão, deixando a incerteza como único suspense real.
D
David say movieAugust 8, 2025
David say movieAugust 8, 2025Desta vez, o diretor abandonou a estrutura narrativa de flashback, tornando a trama mais direta e fácil de acompanhar. Ele incorporou elementos de fantasia e close-ups nas cenas íntimas entre as duas mulheres, o que, de certa forma, dá continuidade ao estilo sonhador e ambíguo de Hiroshima, Meu Amor.
C
Carina_LindseyAugust 8, 2025
Carina_LindseyAugust 8, 2025La película oscila entre la realidad y la ilusión, lo que hace que la incertidumbre sea la única fuente de tensión.
L
lucky_rumAugust 8, 2025
lucky_rumAugust 8, 2025Esta vez, el director dejó de lado la estructura narrativa de los flashbacks, haciendo que la trama fuera más directa y fácil de seguir. Incorporó elementos de fantasía y primeros planos en las escenas íntimas entre las dos mujeres, lo que, de alguna manera, continúa con ese estilo onírico y ambiguo de Hiroshima Mon Amour.






